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Alright, respectable post. But again, dropping numbers and how much DJs cost won't get you anywhere. I happen to have a very good idea as to how much everything costs to bring someone like Digweed or Howells. And I think YOU know how much Lawler costs so let's not go there 
I don't know how many times I have to tell you this but I'm just a fan of the scene; numbers mean balls to me cuz I'm not a manager or owner or whatever. I want a solid prog/tech(no) night in this city, point final. One a month, 4 times a year, whatever. SOMEthing.
If you guys over at Circus are making soooooo much damn money as you claim you are, then why in the world can't you bring a huge DJ (like Digweed, Howells, Desyn or for the trance heads, Armin, etc?) every now and then? Like, 3x a year? I never ever said do it every weekend so I dunno where you got that.
I'm sure you remember Aria, you worked there...JF had that formula of doing huge bookings every night the damn club was open. And what happened? It closed!!! You worked for him...I know you know that the formula was bad...It's not hard to guess or see that.
So ya, have an insane international booking every 3 months or something along those lines. That's all I was trying to say before you started talking numbers again.
Your door price at Circus is always advertised as 20$, you get there and it's close to 40$! It increases as the night goes on. Guestlist? What guestlist? Last time I checked, glist meant FREE. Why is Circus' glist not 100% free? They ask you to give like 4$ or something. Not saying it's alot to ask, but I wonder...
Anyways, you guys ARE clearly making money with your ridiculous door prices and line-up of DJs that aren't so expensive, I'm not disputing that. I'm saying do something respectable and good with all that cash. Oh wait, too many "other" expenses to take care of first, that have higher priority over bringing solid DJs that will pull in a huge crowd to your club? That's too bad really...
Bottom line: I really don't think Circus puts out much for the house crowd of MTL in terms of musical credibility (Nobody's gonna say in 2 years, "Shit, remember that insaneeeee night at Circus when they booked X DJ?") I'd like to see more good things instead of hearing horror stories like bouncers assaulting people. Cheers!

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Afterhours is a state of mind, but significantly, it's more a state of 'I don't mind'. A determined continuation, contentment and relief that 'it ain't over yet!' An injection of music into attitude and occasion which creates an emotional wave forth that isolates globally, a ringing harmonic, a signal to a like-minded collective that 'we are only us'.
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