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cronodevir
Me.
Registered: Jul 2006
Location: Bum Fuck Nowhere
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| quote: | Originally posted by Raphie
and what does a Beatport top10 tells you? right that people don't know about bitorrent or p2pactually like those tracks and spend money on them....... |
___________________
i'm the alchemist without the cyst without a doubt out of the mist
dig out the grout expose the pest to take it out without the rest
they will attest my patients restorations from the best
i'm from the west i'm not an acmeist only the alchemist
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Apr-15-2009 07:08
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Dj_Nectra
tranceaddict

Registered: May 2005
Location: New York, United States
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I"ve heard and seen so many discussions about this specific subject over and over, humans are nostalgic people and love to praise the past, woohoo, I bet you 10 years down the road many of you will be missing the EDM of today.
Look I didn't grow up listening to trance in the mid 90-s ,I was 7-8, but i did in the late 90s and was mostly into the "hard" trance (cosmic gate, flutlicht, dave joy, vespa 63 etc..) not so much into Gouryella, Ferry, AVB, PVD, Tiesto (of course im naming the commercial top 5.)
Then I got bored of that, I didn't want to hear as much melody as I did with percussion and bass so I started getting into the techier trance in the mid early 2000s. Sure SVD had some great tracks under Sam Sharp, hes the one who really got me into the techier stuff (Armani & Ghost were pretty nasty too), but he still knows what hes doing today, take a look at his collab with Marco V - Organic. I'm sorry but when i heard that main bass lead for the first time it was a completely new and original sound, something i never heard before and it blew me away.
I can tell you there are many producers today, whether they are signed to big trance labels or unsigned they both have extremely interesting and original production skills, far more complex than in the late 90s and early 00s.
I've been spending a year in France studying abroad, and here the big thing is "minimal" and I can tell you a lot of "trance" is influenced from minimal and techno. Take a look at Moonbeam, they are pretty big and I'm sure you all know them. They are a perfect example of a fusion of minimal and trance:
http://www.youtube.com/watch?v=vtZgi6fknj0
http://www.youtube.com/watch?v=1kKL...feature=related
I'm sorry but I think these guys are very talented, the sounds they use just blow my mind, just listen closely to every layer they add.
Here's another example of some minimal trance:
http://www.youtube.com/watch?v=WbAui6gQRbg
Another artist who I think is extremely talented Re-Ward, this 21 year old kid knows how to work his drum pattern, and I'm sure of it he doesn't use loops.
Rafael Frost another big one in terms of remixes, a mix of amazing melodies but still keeping that techy bassy percussion element to it:
Aden's Dream & Hold On Me. or even his original stuff: Minimum:
http://www.youtube.com/watch?v=2_4uTZULOJk
Heatbeat another great name out there:
http://www.youtube.com/watch?v=OWhO...feature=related
Mat Zo: http://www.youtube.com/watch?v=C9Hi3fvgs3k good stuff
I mean the point is you can't really compare this to trance to the mid-90s, in essence the music I just presented you isn't "trance", its not repetitive enough, its not hypnotic, and I guess it doesn't bring you that psychedelic feeling you would get in the 90s.
I've been djiing for about 8 years, producing for a year, and creating sounds from scratch and can tell you none of this is simple, most of the big "names" who make it out there have an original sound to them. I can talk forever about this, because I only named only a few artists (the first ones that popped up in my head).
Last edited by Dj_Nectra on Apr-15-2009 at 14:44
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Apr-15-2009 14:14
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Dj_Nectra
tranceaddict

Registered: May 2005
Location: New York, United States
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Apr-15-2009 14:17
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Dj_Nectra
tranceaddict

Registered: May 2005
Location: New York, United States
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| quote: | Originally posted by Raphie
I've told it before and i'll tell it again:
BitTorrent killed trance....
nowadays everyone can give his production potential a test by just downloading FLstudio and more VSTi's and sample CD's then one can use in a life time.
Since publishing moved to electronic and stores don't care about the quality of tracks they sell EVERYONE can start an electronic label and squeeze out tracks via online capacity brokers with "electronic releases" ...... and it's all the same shitty crap.... fruity processed sounds, lame NEXUS 1.0 patches, the same vengeance VEC CD's.... all the same riffs ripped from Trance2Midi since most of them can't play shit....... I choose just to ignore that overhead and stil look forward to the next mr Patterson, or mr Miller release..... Since those are one of the few who have been delivering quaranteed quality throughout the years.
And if you think above is a problem, then i challenge you wether you're just not jealous that they pull it off and you don't
Maybe you should try rock music with real instruments, which one needs to purchase rather than laying around on the net waiting to picked up by then next 14 year old kid ready to ubase it. There is loads of nice stuff, you just need to dig deeper. and what does a Beatport top10 tells you? right that people actually like those tracks and spend money on them....... |
you think Patterson and Miller have really been delivering guaranteed quality tracks? I think the completely opposite, the tracks they produce are probably the most generic tracks I've heard, one after the other, same bass line, same drum pattern, same leads, except for some of Pattersons tracks, but I still put them all in that category with: Sean Tyas, Fast Distance, Aly & Fila etc... I honestly can't tell the difference, they don't use any original sounds
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Apr-15-2009 14:53
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