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| quote: | Originally posted by woscar
The mixing is solid, man. He did a quick fade at the first transition and at the last one, that's it. The rest is done pretty fucking well.
stevesto: your problem is that you seem to be under the impression that Jamie Jones, Seth Troxler, and the rest you call "techy deep heroes" started playing stuff like this in their sets this weekend. You even stated yourself that you're not familiar with Jamie Jones' sets, so you should stop discussing things you obviously have no idea about. |
| quote: | Originally posted by Clovis
Nobody you're talking about just got into this today is the point here. Harvey's been carrying the disco flag for over 20 years. Jamie's been collecting records like these for ages. Just because a couple DJs known for tech are playing some now, doesn't mean they havn't before or that its new to them. We've done two hot natured parties this year in Miami and Detroit where this was the main attraction, with guys like Damian Lazarus, Lee Curtiss and Jamie all throwing down sets like these.
What I am trying to explain to you, stevesto, is that the world does not revolve around what YOU have heard or seen. Just because this is the first time you've ever heard Jamie Jones play some disco tracks does not mean this is the first time he has bought or played any. He used the essential mix to showcase a different side of himself, plain and simple.
As for Three, again, just because he brings it darker at Snatch does not mean he's never played a disco track in his entire fucking career. He played out here for about three hours under 120bpm dropping Todd Terje and the like, so just because YOU have never heard it from him doesn't make it the rule.
I finally was able to listen to this yesterday evening and it was ok, parts I really liked, and some other tracks I was not into, as you say some of the vocals are a bit much. But Jamie is a great DJ and overall I think he achieved what he wanted here and it's a welcome change, as I said earlier, from DJs playing exactly what you expect of them, ALL THE TIME. |
not to beat a dead horse, but i couldn't have said it better myself. yes the first transition is more of a cut than a smooth 3 minute blend but again that's just due to the nature of the individual track; the way he did it was the only logical way to mix the two together apart from trying to loop a 4-8 beat percussive phrase of the outgoing track in ableton or somethin and mixing that with the incoming, but as clovis said he uses TT's which makes that physically impossible
pretty much you guys need to stop judging a mix by its first transition and give it another shot. i promise that any purveyor or fan of EDM can at least appreciate most of the music that he spins in this set, and some of his transitions are pretty brilliant imo.
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