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forsakend
Senior tranceaddict

Registered: Nov 2003
Location: Brooklyn, New York City
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Dec-13-2003 16:08
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Matty V
Supreme tranceaddict
Registered: Aug 2003
Location: Sunny old Nantwich
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Trance has seen a resurgance in 2003, tho in the last 3 months or so decent productions imo have hit a bit of a stand still. But this might mean we guna see a new flood of tunes in the new year
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Dec-13-2003 17:22
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forsakend
Senior tranceaddict

Registered: Nov 2003
Location: Brooklyn, New York City
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Dec-13-2003 17:44
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Jimmy
Supreme tranceaddict

Registered: Oct 2003
Location:
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Re: Trance dead in the water
quote: | Originally posted by Cobalt
Face it: the genre is simply drifting with no real artistic innovation. It's the same cookie-cutter sound rampantly dominating production. Nothing distinctive. I've been digging into pre-98 production because there isn't enough good new work to keep my addiction satisfied, er, I mean, as much good work as there used to be. To my surprise, I've found many older productions exceeding today's. This is not doom and gloom; trance has been declining since 2001, and people who say it isn't are lying to themselves or ignoring what trance used to be. I remember people prophesizing that Gabriel & Dresden would be the saviours, but the actual results have been marginal, particularly with the plethora of radio remixes.
I've heard nothing of particular note, with rare exception, in the last six months. Six months!
Can't someone do a Matt Darey, work his or her ass off and help the genre back on its feet? Oh, who am I kidding. This is part of a cycle, irreversible by talent. Inevitably there will be upswing, but no time soon, I think.
PvD has gone downhill. The "second coming" of Matt Darey fizzled. BT has moved away into other artistic directions. Ferry's new sound isn't catching (even though I think it has promise). Lange and Armin are recycling. Tiesto is in a production hibernation (though his return may change things). Sasha almost never produces. ASOT is a wasteland.
Do I feel alone? Am I just jaded?
If not, what to do now? What promising artists do you think are out there in this desert? |
Hmmm..thats an interesting posting you've made. But i'm curious, could you name a couple of older tracks that you find, as you say, eexceeding today's? And then you name a couple of tracks that are played on asot and most of tranceaddict finds its really great, but which you think that they're not as great tracks as everybody thinks it to be?
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Dec-13-2003 21:13
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we love sundays
Suspended User
Registered: Dec 2003
Location: africa
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quote: | Originally posted by SuperFarStucker
Sasha, Holden, Gabriel and Dresden, Junkie XL, Infusion, Hybrid etc...
these people ARENT LIMITING THEMSELVES TO THE SAME DAMN THING OVER AND OVER. There is inevitably commonalities (For example, G&D tend to make vocal tracks, if you doubt their vocal less production capabilities take a listen to grayarea - one for the road (G&D interstate 5 mix)) in their productions but they are overall eclectic, amd interesting
note: flame away... |
g + d = commercialised dance music..
sasha = cowpander.. STILL?
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Dec-13-2003 21:31
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Pio
Supreme tranceaddict
Registered: Jun 2002
Location: NYC-New Haven- San Juan-Amsterdam / PRTA #1
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quote: | Originally posted by we love sundays
g + d = commercialised dance music..
sasha = cowpander.. STILL? |
What's your obsession with commercialism? Who cares. Stravinsky used to sign his name with a $($travinsky) and used to sign napkins and sell them to fans. Dalí 'commercialized' his skills just as much. Did that make their art any less valuable?
If there's something that art history has proven is that 'commercial' and 'quality' are not exclusive to each other.
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Dec-13-2003 21:38
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we love sundays
Suspended User
Registered: Dec 2003
Location: africa
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quote: | Originally posted by YaleTrance
What's your obsession with commercialism? Who cares. Stravinsky used to sign his name with a $($travinsky) and used to sign napkins and sell them to fans. Dalí 'commercialized' his skills just as much. Did that make their art any less valuable?
If there's something that art history has proven is that 'commercial' and 'quality' are not exclusive to each other. |
well then in that case...
LETS ALL LISTEN TO CHINGY
best music ever made
RIGHT THURRR IN MY HURRR
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Dec-13-2003 21:59
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refuge
That 303 Guy

Registered: Dec 2002
Location: Somewhere in L.A.
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Dec-13-2003 22:08
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refuge
That 303 Guy

Registered: Dec 2002
Location: Somewhere in L.A.
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Dec-13-2003 22:12
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