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One of the bigger considerations of a DJ in a position of having to deal with lousy equipment is that if the crowd is less than pleased with his or her performance, the DJ will have suffered a recognizable hit to the reputation and that does count for something while you're trying to build rapport and consistency. If there are interviews afterwards, it is likely an explanation will be given for why the sound quality was poor.
After all, if you were hyped up for a great show, wouldn't you want a great show? And for legal reasons as has been previously stated on TA, if a DJ is contractually guaranteed a specific set of equipment in excellent working condition, than the performer should receive nothing less than the spec.
There have been exceptions when the DJ turned the crappy situation around and did something like smash a record to pieces and then aced a scratch routine using the itty bitty pieces a la DJ Swamp (not to be confused with DJ Swamper ) and got the primal energy soaring. Those kind of "saves", not unlike a drummer thrashing a set of sticks, are amazing.
Like Vladimir Horowitz on an old, detuned upright . . .
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Hi, my name's Torley. I'm here at TA to learn, share, and have fun! 
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