Sonar Platinum | Ableton Live 9 | Logic Pro X | Access Virus TI2 Keyboard | Kurzweil PC3X | Nord Lead 4R | NI Maschine
Mar-09-2009 21:38
MrJiveBoJingles
Supreme tranceaddict
Registered: Jun 2004
Location: U.S.
quote:
Originally posted by cryophonik
This has been hugely informative, MrJiveBoJingles.
Good. It's been helping my understanding of FM as well to make these patches and explain how they work.
Mar-09-2009 21:46
MrJiveBoJingles
Supreme tranceaddict
Registered: Jun 2004
Location: U.S.
Made this patch for fun...it's a pad sound called "Back to the 80s" for obvious reasons: [mp3]
I couldn't resist backing it up with an '80s drum loop.
Operators A and B provide the low end, while C and D give brightness to it. The routing is mostly in parallel (operators going directly out rather than through one another), though there is a little modulation from A to B to C to give it some more sparkle. If you turn off Operators D and C it sounds more usable in the context of today's music: [mp3]
This one uses FM7's pitch envelope to slide the pitch up automatically when the note is released. The amplitude of Operators E and F is set to increase as well (through their envelopes), giving it a kind of "delay" effect even when played dry. You can tone down the envelope a bit to get a more "musical"-sounding result: [mp3]
^ With a little tweaking of the envelopes in the patch above -- making the attack punchier, decreasing the volume in the release phase, and toning down the pitch bend of the release phase, I got this weird little synth keyboard noise: