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| quote: | Originally posted by nefardec
I think that a lot of sci-fi writers try to cast these kind of pseudospiritual magical things as actually a super-advanced form of technology. In a lot of scifi, mastery of the psyche tends to be the highest form of technology, usually employed or owned by the 'aliens', and often it represents the point at which man meets his maker, ultimate knowledge. i can think of dozens of sci fi stories in which this kind of spiritual and psychic stuff is portrayed as advanced alien technology and super intelligence.
Because of this I don't agree that this kind of science fiction is really different than any 'despiritualized' science fiction. |
I'm not sure you're following. What you've just described is despiritualisation. I'm not saying that pseudo-mystical themes preclude something from being science fiction, I'm saying that it depends on the discourse in which these themes are rooted. If you conflate spiritualism with technology there is an inherent subtext that is massively different to attributing it to some ineffable power that resides beyond our knowledge. The function within the plot may be absolutely identical, but the feel of the universe is radically altered. That's why so many Star Wars fans were enraged by the midichlorians idea.
Perhaps a better way of putting it is that there are never metaphysics to SF spirituality, only physics.
| quote: | Originally posted by pkcRAISTLIN
Thanks! And agreed completely. Well, except for the metonymical part, but probably would agree did I know what it meant. |
That simply means that the robots/aliens/radioactive ants/whatever represent the larger themes of the text. For example, if Godzilla is an allegory for nuclear war, Godzilla himself represents the bomb. If The Thing is an allegory for the AIDS virus, the Thing itself represents the virus. In science fiction, the symbolism tends to be running around inside the plot, eating people. It's a concrete, materialist genre.
To use the example nefardec gave above, in science fiction, any magical/psychic powers will usually come from something physical, inside the text. In The Forbidden Planet, the source of Dr Morbius' psychic powers and higher knowlege is a machine built by an extinct race of aliens. There is a physical, concrete, literal source that a character in the film can touch and operate.
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