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| quote: | Originally posted by dinoXpress
But if those ranges cant be produced digitally, then nowadays this is a non issue because *nearly* all tracks are produced using mainly digitial.
You are the #1 candidate for the pepsi challenge.
and i bet a shitload vinyl is pressed from some guy bringin a cd into the factory or whatever, and them cutting the vinyl from that.
Unless you are dead sure there is ZERO digital in the mix from original studio --> vinyl. this is a dead issue. |
i've taken the pepsi challenge before...well..sort of one just between mp3s. if you give me a good set of monitor speakers, i can tell the difference between a 128kbps mp3 and a 256 kbps mp3 file. 256 and 320 i only got right maybe 60-70% of the time. 320 and a wav file was more hit or miss without any chance of correlating the results vs just pure guessing. but that's not the point...
now i didn't say that vinyl was better or what not. and yes, plenty of dance vinyl IS pressed from a CD that some guy brings into the factory. the point in my post was the process of cutting vinyl and mastering to vinyl is not a perfect one...keep in mind it is a fairly old technology. you aren't transferring 1s and 0s (i.e. CD --> CD), you are transferring 1s and 0s to grooves on vinyl; there's no way they can be exact copies. this process produces inherent qualities in the final vinyl copy you receive..among those, the warmth in the low frequencies, less sharp transients, and a dip in the high frequencies.
all i was saying was people often mistake "listening" quality and "technical" quality....vinyl can sound better with out being "technically" better....that was my point.
and back on topic...i don't have anything against DJs that play mp3s, as long as they aren't those that don't buy records and only HAVE mp3s to spin....
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