|
ARGH!!!!
The V700's might be OKAY for *listening* to electronic music (but you can get stuff just as good for $20, so, you are paying $140 more than you need to for that purpose [because electronic music tends to ask the LEAST of equipment, so it can be played well on crappy equipment]), but the MDR-V700DJ IS BAD FOR CREATING ELECTRONIC MUSIC!!!
Okay...
let's talk about bass, shall we?
First, some definitions:
You all think:
Bass = 80 to 160 hz
Sub-bass = <80 hz
So I'll go with that. I disagree, because I go with this:
"Extreme bottom below 32 Hz
Low bass, bottom octave 20 to 40 Hz
Midbass 40 to 80 Hz
Upper bass 80 to 160 Hz
Lower midrange 160 to 320 Hz "
but let's use your all's definition of bass for the time being, alright?
The MDR-V700's bass is slow, sloppy, undefined, and overpowers basically every other part of the sound. PLus, the MDR-V700 doesn't really have any sub-bass. HEAR THAT? THE V700 DOESN'T HAVE ANY REALLY DEEP BASS. Here's the thing about the V700 compared to, say, the MDR-V6...BECAUSE the bass on the V700 is SLOW, you actually *STOP* hearing the bass *AFTER* the signal for "bass" is no longer being sent to the headphones! The resonance makes it bounce around forever, making it louder and less defined, and makes it LAST LONGER.
*PLUS*, if you want to give your bass the *WHAM*, the tightness, the SOUND beyond being a sine wave (by adding harmonics to it, by adding stuff from the 2k to 5k range to the bass thump to make it a WHAM rather than a WHUM), the V700 doesn't let you HEAR those to put them in, because the bass overpowers everything else!
Just get the MDR-V6. TRUST ME!
Oh, and about the build quality of the V700's? The plastic starts to crack after a while at the joints....and the V6's? Radio stations are still putting pairs DECADES OLD (well, a decade and some years old) through day-to-day wear-and-tear abuse (getting run over by chairs, for example), and they STILL hold up!
Here's the thing.....WHY buy any of the MDR-V###DJ series when you can get the V6's, which are FAR better than *ANY* of them, for *ANY* use, for $70? A good headphone should work with listening to ANY type of music, which the V6 *IS*! The people who MAKE the music use these things! The thing about the V6's is that...it shows everything, changes VERY little, and, if you make music that SOUNDS good in those, it will sound good in anything! You can trust em!
Ah, and the myth that you need overpowering bass to beat-match? It's not true. You need ISOLATION from outside sounds (which the V6's have), and the ability to go loud on iffy electronics (which the V6's have), and you need sound that lets you HEAR bass, which the V6's have (THROUGH CLARITY, and the fact that they have DEEP, IMPACTING bass), and VERY important to the MATCHING part of beat matching, having the bass start and stop and SOUND like the recording you are making actually does!
*pause* Brandon, what's this about "NO" distortions whatsoever? They are one of the most distorting and sound-changing headphones known to man! and *NO* headphone leaves sound COMPLETELY alone (the closest you can get to something that doesn't change sound under $160 is the V6), but the V700's distort it more than MOST. And CRISP highs? What are YOU smoking, Brandon? The V700's doesn't HAVE any highs, let ALONE CRISP highs! Gyah...
Last edited by Gluegun on Sep-13-2001 at 22:33
|