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| quote: | Originally posted by PatMcGroin
i dont quite agree. some european festivals are just as expensive and its not an issue. but then again those festivals really bring in a shitload better artists and have an amazing production quality. comparing those to ultra really isnt even fair. the price mainly has to do with miami. because regular club nights here are more expensive than many many other cities.
my point is that because ultra has become such a focal point of wmc, they have a large influence and actually determine which artists come or dont come to miami. and by paying certain artists more for that exclusive tag, lets use armin as an example, they limit other artists that actually make the trip. one could argue that because armin isnt throwing his own party, whatever artists he would of brought with him (maybe w&w or someone like that) are now not coming. and that goes for many others as well. i mean its okay i guess that ulsra has a few exclusives like orbital, because where else would they really play anyway, but to completely monopolize artists the way they are is why i say ultra is ruining wmc. |
I agree. Look I love festivals because they are so different from clubs. Take Mysteryland or Dance Valley - both amazing festivals. Full production everywhere - from stage design, to sound, decor, lighting, etc.
Ultra on the other hand invests nothing into it really so by it taking exclusivity on artists, its almost like it admits to its poor production and tries to go after both the people wanting to attend a festival and those who want to see certain artists.
If Ultra didnt pay extra for them, im sure we would have seen more artists that arent as big in the states make it into a label party or what not. So Ultra in a way both brings people to Miami for WMC and limits events going on during WMC as well.
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