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I think both sides of the picture have good arguments and bad arguements, so I'll try to add my 2 cents.
IMO, it is ultimately the producers/labels/artists responsibility with whatever tracks they produce or sign. The ball is in their court as they can do what they want with the music. If promo or advance tracks are sent out, these people are responsible for who they send the track to and must be aware of the possibility that the track could get ripped (most likely by a release group) and put on the internet. If a track gets ripped like this, the producers have no right to bitch and whine because they know the risks. If they are going to throw a hissy fit, then the track should not be sent out like that and locked in a damn safe until the release date. I'm sure there are other ways of promoting music other than the tradition of handing out promos.
Bagguley, earlier in the post you said that tracks get sent to A and B list people. Who might this be? People as high up as Tiesto possibly? Why would any people of this callibur have the time, energy, or the want-to to rip the tracks? Just wandering.
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"...the major problem in the past was to locate the settings of the ancient plastic city. referring to our latest findings plastic city wasn't a city built of stone or metal but more kind of built out of ideas.... (PLASTIC CITY) can't be found by our archaeologists. we will have to examine the ideas and then try to re-construct plastic city in out minds..." (EXCERPT FROM "SCIENTIST REPORT NETWORK" #12.587, YEAR 2495)
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