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I'm only kidding when I make comments like "come on man"... Sorry if I came off the wrong way, but if I really wanted to be serious about it, I would have put a Smilie beside with an angry face instead of a goofy, light one. I only got serious at the second post when he took it wrong, and I do hate being compared to fruity synths (sorry). I guess you learn something new everyday, or maybe I just suck at trying to be funny.
As for the bursting of blood vessels in the sines. I've heard this track everywhere including the car and I don't hear the sines being too loud. Maybe my ears are being subjective, but like I said before sines are usually the hardest thing to fit in the mastering correctly. Anybody who uses them Whiteroom, PPK, Markus Schulz, ect on some speakers/headphones they sound really loud that you're like (agh!!) on others you're like "turn it up dude"... but most speakers they sound like they were intended.
I'll definately keep all the advice I get, but so far the theory one, the remove key chain one, and the sine's volume seem kind of picky, taste-varying to me, so I'm not really in a rush to change that.
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