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Robert Eugene
tranceaddict in training
Registered: Jul 2007
Location: Norfolk, Virginia
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How did you get all your songs warped and ready for ableton in a day?? I'm been looking for ways to get around the warping, so if you've found a better way please let me know!!
If someone is using Ableton to just jump from track to track it seems like a waste..just use decks. However I like adding in a MIDI keyboard to add more of a "performance" aspect then just mixing and I'm always practicing at home to add new stuff to my sets when I'm playing live.
I'm in agreement with most everyone else; a good DJ is a good DJ is a good DJ, the medium is meaningless.
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Jul-09-2008 00:14
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Ray_Chappell
Supreme tranceaddict

Registered: Feb 2007
Location: Dallas, TX
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| quote: | Originally posted by nefardec
i learned ableton in one night...
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I'm assuming you mean the most basic of functions. Thoroughly learning Ableton isn't as easy as you make it out to be. On the other hand, there really isn't a lot to "learn" about decks. One buttom starts, one changes the rpm, one slider changes pitch. I learned that in one night... Ableton I did not. Not to demean decks, they are my preference, but they ain't that hard to learn.
| quote: | Originally posted by nefardec
When you have to leave records behind before a gig you go through a critical thinking process that helps to determine how you want your set to sound and what you want to do to the crowd.
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I don't entirely disagree, but extensive libraries allow you to adapt to a crowd... it lets you grab that record you may have left behind. More extensive libraries offer the flexibility that a well thought out plan can't... and that's to change if necessary. And that is a whole new skill in and of itself.
| quote: | Originally posted by nefardec
in ableton, a deejay can just get a load of mp3s very quickly, on impulse purchases, or based on online banner ads, or at the worst, from soulseek or something, load up ableton without ever touching a vinyl record in his life, without wearing headphones, and lay down a set that might sound very accomplished.
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I presume we are talking about only vinyl vs. Ableton at this point, because I've seen far too many CDJ users making the same poor choices... it isn't limited to Ableton.
| quote: | Originally posted by nefardec
This does not make him a skilled deejay, this makes him an instant 'professional'. People who can't deejay suddenly can make sets just like Sasha and Digweed! They can make all kinds of little mixtapes for their friends and copy the kiss fm playlists and beatport charts and sound just like pros.
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I think the premise that vinyl is a whole lot harder to become a good DJ is overstated here. Mixing two records and sending an RCA to your computer isn't really ALL that difficult either. And if it does allow you to focus more on track selection than beat matching, I don't see a problem with that.
| quote: | Originally posted by nefardec
I certainly think that there are good ableton deejays out there. However, and this is just a guess - I'll bet that there is a lot more talent and passion in the group of vinyl deejays than ableton deejays, for the reasons above.
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Eh... I've seen far too many shitty "Dj in a box" rock stars to support that. Ableton users may respond that working digitally allows them the flexibility to adapt music theory, original media, etc. There are two sides to this coin.
| quote: | Originally posted by nefardec
To me, playing records says something like. "I respect the tradition of deejaying. I respect electronic music. I am not just providing the soundtrack for another disposable night, I am not just trying to make an easy buck. I care about what I do, I sacrifice because I love it."
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Come on... seriously? Using vinyl is more respectful to EDM adn DJ'ing. That's a stretch.
| quote: | Originally posted by nefardec
In my time deejaying, which isn't as long as some of you, I've never had people come up and ask me if they can mix with ableton during my set. On the other hand, every time I play records or even cds, several people always ask what I am doing and if they can touch the records, etc.
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Maybe vinyl is just easier? I'm kidding, but there is a learning curve to Ableton... that MAY account for it... may not.
It sounds like I'm arguing... I'm really not. I agree with your post awhile back that talent is talent, period. I personally enjoy vinyl for DJ'ing. I love Ableton for production. I tried Ableton and got annoyed with the lack of physical control of a record. Plus I'm a sucker vinyl quality of sound. I just think the shots taken at Ableton users can be far stretched and a bit demeaning of the amount of dedication it requires to warp a library, master effects chains, customize midi functions, etc. That's all.
As it has been said... a good DJ is a good DJ.
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Jul-09-2008 02:13
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DaveG
Junior tranceaddict
Registered: Feb 2008
Location: Portland, OR
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| quote: | Originally posted by nefardec
perfectly alright
i used to use dj simulators before i got decks too |
It gets a bit boring for me, I don't feel very involved. Could mean I don't know how to use Ableton to it's full capabilities, and I don't. But I think it comes down to not feeling as involved in it as I'd like to.
But for the overall topic, as long as the music is good, and I'm having a good time then I don't care what's being used.
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Jul-11-2008 18:25
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Robert Eugene
tranceaddict in training
Registered: Jul 2007
Location: Norfolk, Virginia
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I don't feel as though I'm missing out on ANYTHING!! Maybe I should have pointed out that I've been using the Xone 3D for about 6 months now...definitely not using a Mac and a mouse
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Jul-11-2008 19:46
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