yep, this one is brilliant, i love the bassline and the pers on it, and the mary j blife vocal samples are nice, but i do wonder why thomas didn't add more vocals, because mary j blige is a excellent singer and i do think it would fit

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"I believe that's referred to as intelligent drum & bass, which obviously means there's a genre of stupid drum & bass out there" (John Peel)

to each their own... but I think he used the vocals perfectly. too much would take away from the beauty of the track. instead of making the vocals the central part of the track, he blended them in nicely with the other elements. i cant stop listening to this.

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TRY TO UNDERSTAND

I have no idea why he called it what he did. it really is barely a sample and a competely different song.

i almost didnt pick it up off the wall at the record store back in april. glad i did though. sick sick tune.

this is definitely prog goodness right here

tranz, the reason why i thought that he shouls have used more vocals is that besides those vocal snippets, there is no resemblance to the original song, and i feel like thomas penton could have called the track what he wanted, but he thought hey, let's some stick in some vocal snippets and cash in on that

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"I believe that's referred to as intelligent drum & bass, which obviously means there's a genre of stupid drum & bass out there" (John Peel)