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I was just thinking about this earlier this morning.
IMO, he kind of contradicts himself:
| quote: | | It's what you do with the equipment that matters. We can all play the same records, but what makes you stand out from the pack is what you do with them and the order you play them in. |
Err... Oakie isn't exactly famous for his turntablism and tricks, is he? I don't think I've ever heard of him doing more than just mixing 2 tunes together (and I've heard that he quite often fucks that up). That's definately NOT "standing out from the pack."
| quote: | | I'm still happiest with two turntables and a box of records. You're pulling records out, trying to match the key, the structure, looking for the breaks. With a CD player you can put the CD in, press play and lock it in time, and it does it all for you. |
Really? Because only 3 lines up, you were claiming that it's what you do with the equipment that matters. I know I say this a lot, but just look at what Zabiela does. If using CDs is cheap, then who's to say that using vinyl isn't? It's certainly a lot easier to drop the needle, beatmatch and cue than it is to haul sequencers and samplers on the stage and construct a set from scratch. But we still listen to DJs because the ease of playing a record yeilds flexibility, so that he can take the music in any direction he pleases. CD decks are just a step up from this - sure, you ca probably pop in a tune and auto beatmatch it, but the potential is there for a LOT more tricks and creativity than on vinyl alone.
| quote: | | I don't download music because the quality isn't good enough to play in a club. There's no bottom end on it. It's the difference between going to the cinema and watching a DVD. There are certain movies you have to see on the big screen, to see the full picture and get lost in it. For me it's the same with music. |
Well, no shit. Is it a big suprise to anyone that a compressed sound format is going to sound poor on a club system? I honestly can't tell any big difference between a full quality wav and a record, at least in the clubs I've been to. Anyone else care to comment on this? (between wav and vinyl I mean, not mp3 and vinyl).
| quote: | | I'd much rather go to a record store than download music. I like to browse, to look at the sleeve and find out who's the hot new producer. It keeps you fresh and keeps you ahead of the game. |
Easy to say, when a) you're a superstar DJ who gets paid several thousand dollars a night, and probably gets more free vinyl in a month than most bedroom DJs will buy in their lifetimes, and b) when you actually live close to a nice vinyl shop. I love my records, but I also love playing fresh, new tunes. I can go to any record store and spend about $250-300 for two dozen records. I could buy those same two dozen tunes for about $40 on BeatPort, shipped, in full quality .wav format.
| quote: | | Computers have made it easier for anyone to make a record but that's also brought the quality down. It's great that technology has made music more accessible but the biggest artists will use still traditional studio equipment because you get much better quality. The people I admire -- Liam Howlett of Prodigy, the Chemical Brothers and Orbital -- they are all artists primarily. The technology is secondary. |
You know, I'd take a great big studio full of nice analogue equipment over a copy of Reason and Cubase any day. You're a big rich DJ, want to loan me $15,000?
I use software out of necessity, not choice.
The music a DJ puts forth is more important than the technology on which he plays it. People don't go to a party to stand around and watch someone mix. I'd rather hear a good set come off a laptop than a poor one come off turntables. And I'd much rather hear someone like Zabiela embrace technology and play an amazing set by using it to his advantage.
Btw, when I saw JZ last July, all you could see of him was his head up there in the tall booth - I didn't really care that I couldn't watch him mix, and I don't think anyone else did either.
Oh yeah, and I'm ordering my CDJ-1000 today 
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NEW MIX [Feb/March 2008]
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