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Inertia
yes.

Registered: Jul 2002
Location: Santo Domingo, Dominican Republic
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no. you should keep tracks at the same tempo you had them when beatmatched. only change tempo when you are going in one direction intentionally. for instance, if you've been playing at 124bpm for a while, and the night is progressing, you might want to start playing faster. so after your mixes, you could nudge your tracks up a bit. be subtle about it, so the listener cannot notice.
but by no means do you HAVE to do anything with the pitch slider after a mix. only do something if you want to. i've recorded sets with basically the same BPM all throughout.
also, try to avoid playing tracks that have a huge BPM difference than the one that's already playing. most of the time, pitching a record up or down a lot makes it sound like crap. there are exceptions when you get some really good results, but generally, dropping that 145bpm hard techno track when you're playing 125bpm deep house is a bad idea 
___________________
check out my guest mix for OndaSonora Podcast (aug.2009)
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Dec-06-2006 05:30
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Nickerous
Junior tranceaddict
Registered: Sep 2006
Location: Washington D.C.
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A good rule I have read about is the 4% percent rule. Don't try to mix any tracks that have a difference greater than 4% of the track you are mixing into.
I don't even have my own tables yet and cannot use this theory myself so this could be rubbish. Can anybody back me up on this?
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Dec-06-2006 05:45
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Spirit5
Nobody

Registered: Jun 2005
Location:
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I think it can be done if your starting off with an ambient/downtempo track and you the incoming track has a higher BPM. Match the first 16 or 32 bars and then bring it back up gradually to around the original BPM, so that your whole mix isn't the same BPM as the ambient/downtempo track, which most are like 120 and under. I mean if your going from an ambient track to a progressive house track with an ambient intro, it works without doing much to the tempo, cause you would likely do a quick fade in. If your going from the ambient track to a track that just starts off with a kickdrum, your best bet is to gradually increase it in intervals. However, the tracks should still be somewhat in the same vacinity BPM wise (no more than 10 bpms a part i'de say), your not going to go from a 115 bpm ambient track to a 135 bpm trance track. With Master Tempo, doing these kinds of things sounds a lot better, but those are mostly on CDJs, not TTs (a few have "key correction").
Last edited by Spirit5 on Dec-06-2006 at 06:58
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Dec-06-2006 06:46
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AnomalyConcept
Supreme tranceaddict
Registered: Jun 2005
Location: Chicagoish, USA
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It's fine to do this if you're going in the direction of the incoming track, but ONLY after you have mixed out of the outgoing track, eg. crossfader is all the way on incoming track or fader of outgoing is down all the way.
You can generally raise the tempo without master tempo or key lock or whatever, but you must do it subtly. I found that when using Traktor (software program), it's best not to increase directly on the beats, since it sometimes cut of part of the kick or other element.
For your example, if you had one track @ 120bpm, you would beatmatch by matching the 2nd track (128bpm at 0%) to 120bpm (8/128 * 100 = 6.25%) with the pitch fader at -6.25% (I think this is correct mathematically... kind of absent minded at the moment) and perform the transition.
If the subsequent tracks you want to mix are around 128 or higher, it is fine to slowly increase the tempo up to 128 while only the 2nd track is playing. Note that it's preferable to gradually increase the tempo to 128 over a few tracks rather than increasing it 8bpm over 1/2 of the track. You could also increase the 1st track up to something in the middle of the two tempos, say 124bpm and meet it half-way.
Hope this helps a bit.
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Dec-08-2006 03:25
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AnomalyConcept
Supreme tranceaddict
Registered: Jun 2005
Location: Chicagoish, USA
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Master tempo only sounds bad when you have the pitch slider either too high or too low. There's a certain range where it sounds acceptable, before it starts sounding bad because of interpolation or dropping too many frames.
The new firmware from Pioneer does help make Master Tempo sound better, but I haven't really had the chance to play around on my CDJs since I updated the firmware.
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Dec-08-2006 22:59
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