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couple comments:
first off, it's well produced and thoughtful and I think on the whole pretty good...
I'm not really into electrohouse, and I know it's sort of a stylistic thing, but I feel like there are too many effects sometimes and it takes away from the groove. - let the DJ filter it if he wants, using the noise as a cue. The filters you have here don't sound much different than a DJ filter anyways.
The best, deepest, darkest groove of this track is at about 2:32. Really like the dark chicago sound here when you've filtered out all the highs on the bassline and it just rolls around
the offkey lead/bassline after you move the filter up into the treble sticks out a bit much for me and i focus more on the sound of that rather than the groove locking as whole
I think the "i know what time it is" vocal gets a bit monotonous. I know there is a kind of toronto aesthetic haha but it might be cool to hear a release of tension by changing that vocal up for a bit and then going back. I think this way you could create more structure too because it is relatively freeform now (which isn't really a bad thing it just makes it indeterminate)
Maybe consider running the atmospheric noise sweeps in for a lot longer and using them to create a longer phrasing besides just during a breakdown, at least maybe do this more towards the high point of the track.
I would definitely put it in my crate if it was modified like I said 
good work
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