We saw them in 2007 at the Hollywood Bowl. It was a good show... I don't know about hard, but I would definitely see them again at the Hollywood Bowl.

Oakenfold was a joke. He played a James Bond song at one point: We just looked at each other and wtf?

Typical Oakenfold hahah.

**************************************************

http://blogs.laweekly.com/westcoast...ywood-bowl-910/

Underworld, Hollywood Bowl, 9/10
Monday, Sep. 10 2007 @ 10:00AM
By Mark Mauer in Live in L.A.

Underworld
Hollywood Bowl, September 9, 2007
By Jonah Flicker

Underworld’s recent appearance at the Hollywood Bowl felt strangely momentous. No devastatingly important events took place onstage. No secrets were revealed. No special guests shocked or awed the crowd. What did occur was an amazing Sunday night show from a veteran electronic act with 15-year-old songs that sound just as urgent today as they did upon their release. The capacity crowd, mostly comprised of O.G. ravers and admirers of ‘90s e-music, clumped together into one writhing organism as songs like the classic, big-synth-undulating “Two Months Off” and selections from their forthcoming album, Oblivion with Bells, filled the night. The passing down of traditions took place as well, as mothers taught their children the age-old ritual of dancing with glow sticks during Underworld’s ebullient set.

The trio’s onstage roles are clearly defined. Karl Hyde is the showman, a ball of energy jumping manically around as he sings and plays guitar, distorting his voice evilly on songs like the steadily-throbbing “Cowgirl.” Rick Smith and Darren Price are the scientists, soberly crafting beats from behind a giant console of knobs and faders. This combination has been the key to Underworld’s crossover success - ravers love them for their meticulous, dark, acid-influenced techno and house, the rest of the world easily latches onto Hyde’s pop vocals and rock inflections. No wonders their Trainspotting anthem, “Born Slippy,” was such a huge hit. The song is actually a frenetic mess of hardcore tribal drums, kept accessible by Hyde’s sung tale of a “lipstick boy.” The crowd lost their shit when the forever-recognizable synth-chord break washed over the party in the aisles. It appears that, twenty years on, Underworld is still one of the most relevant electronic acts to grace the stage.

Paul Oakenfold’s opening set begged the question: why does the biggest DJ in the world need to spoil his already kinda putrid trance with the addition of live instruments? He was joined onstage by tabla, violin, and some kind of lute. If I want lutes, I’ll go to Ren Faire, thank you. I guess they had it all planned out, but I could swear one of the songs morphed into the Deadwood theme song. Oakenfold was all pumping fists and flowing hair, but it just wasn’t working. The crowd seemed mostly content to fill its collective belly with picnic goodies and wine while it waited for the headlining act.

--Jonah Flicker




.

___________________
Those who make peaceful revolution impossible will make violent revolution inevitable.

---JFK---

A fight is not won by one punch or kick. Either learn to endure or hire a bodyguard.

Forget about winning and losing; forget about pride and pain. Let your opponent graze your skin and you smash into his flesh; let him smash into your flesh and you fracture his bones; let him fracture your bones and you take his life. Do not be concerned with escaping safely - lay your life before him.

---Bruce Lee---

quote:

Originally posted by mattW We saw them in 2007 at the Hollywood Bowl. It was a good show... I don't know about hard, but I would definitely see them again at the Hollywood Bowl. Oakenfold was a joke. He played a James Bond song at one point: We just looked at each other and wtf? Typical Oakenfold hahah. ************************************************** http://blogs.laweekly.com/westcoast...ywood-bowl-910/ Underworld, Hollywood Bowl, 9/10 Monday, Sep. 10 2007 @ 10:00AM By Mark Mauer in Live in L.A. Underworld Hollywood Bowl, September 9, 2007 By Jonah Flicker Underworld’s recent appearance at the Hollywood Bowl felt strangely momentous. No devastatingly important events took place onstage. No secrets were revealed. No special guests shocked or awed the crowd. What did occur was an amazing Sunday night show from a veteran electronic act with 15-year-old songs that sound just as urgent today as they did upon their release. The capacity crowd, mostly comprised of O.G. ravers and admirers of ‘90s e-music, clumped together into one writhing organism as songs like the classic, big-synth-undulating “Two Months Off” and selections from their forthcoming album, Oblivion with Bells, filled the night. The passing down of traditions took place as well, as mothers taught their children the age-old ritual of dancing with glow sticks during Underworld’s ebullient set. The trio’s onstage roles are clearly defined. Karl Hyde is the showman, a ball of energy jumping manically around as he sings and plays guitar, distorting his voice evilly on songs like the steadily-throbbing “Cowgirl.” Rick Smith and Darren Price are the scientists, soberly crafting beats from behind a giant console of knobs and faders. This combination has been the key to Underworld’s crossover success - ravers love them for their meticulous, dark, acid-influenced techno and house, the rest of the world easily latches onto Hyde’s pop vocals and rock inflections. No wonders their Trainspotting anthem, “Born Slippy,” was such a huge hit. The song is actually a frenetic mess of hardcore tribal drums, kept accessible by Hyde’s sung tale of a “lipstick boy.” The crowd lost their shit when the forever-recognizable synth-chord break washed over the party in the aisles. It appears that, twenty years on, Underworld is still one of the most relevant electronic acts to grace the stage. Paul Oakenfold’s opening set begged the question: why does the biggest DJ in the world need to spoil his already kinda putrid trance with the addition of live instruments? He was joined onstage by tabla, violin, and some kind of lute. If I want lutes, I’ll go to Ren Faire, thank you. I guess they had it all planned out, but I could swear one of the songs morphed into the Deadwood theme song. Oakenfold was all pumping fists and flowing hair, but it just wasn’t working. The crowd seemed mostly content to fill its collective belly with picnic goodies and wine while it waited for the headlining act. --Jonah Flicker .

I was at that show as well. Underworld were so amazing that I completely forgot Oakie opened for them.

___________________
Listening to trance music turns you into a fucking idiot.

Space Dolphins EP on Beatport
January 2011 Promo - Deep Tech House
Viva La Tech Guest Mix (September 2010) - Tech House/Techno

Oakenfold was awful.


Underworld doesn't tour around here that much, so that's why I always try and see them.

In the last many years, I've seen them:

2008: All Points West (NY)
2007: Hollywood Bowl (CA)
2003: Coachella (CA)
2002: The Wiltern (CA)
1999: Coachella (CA)