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elFreak
Blood Diamonds and Salsa

Registered: Feb 2008
Location: With Juan Pachanga Eating Tacos. Ah Ha Si Mi Gusta.
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May-12-2009 20:31
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elFreak
Blood Diamonds and Salsa

Registered: Feb 2008
Location: With Juan Pachanga Eating Tacos. Ah Ha Si Mi Gusta.
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May-12-2009 21:54
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elFreak
Blood Diamonds and Salsa

Registered: Feb 2008
Location: With Juan Pachanga Eating Tacos. Ah Ha Si Mi Gusta.
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May-12-2009 22:08
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julien2
HTML is not allowed

Registered: Jun 2005
Location: Montreal
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| quote: | Originally posted by elFreak
if the artists want more exposure they will give freebies, aka sets.
julien, you know i dloaded a few non legal tracks, but they have to do something. |
I agree that something has to be done, but not this.
This is just a powerful lobby representing an industry whose key players are not capable of evolution and adaptation.
In an apolitical free market, it means death, but seeing as a free market is non-existent, they can manage to survive by dragging everyone in their failing business model and restraining evolution towards better business models.
Their artist deals are crappy and are also restraining creation.
Why don't they offer a flat rate for their whole catalogue. I would be hundreds for that ?
I mean, Jay, you do agree that this a failing business model and that such laws merely keep on the artifical breathing that model, which should be extinct.
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May-12-2009 22:10
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elFreak
Blood Diamonds and Salsa

Registered: Feb 2008
Location: With Juan Pachanga Eating Tacos. Ah Ha Si Mi Gusta.
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May-12-2009 22:20
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elFreak
Blood Diamonds and Salsa

Registered: Feb 2008
Location: With Juan Pachanga Eating Tacos. Ah Ha Si Mi Gusta.
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May-12-2009 22:24
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Magnetonium
Dubstep = Douchestep

Registered: Sep 2001
Location: Port Burwell, Ontario, Canada
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There are good and bad things about this precedent. Bad things - already mentioned.
Good thing - because there are far too many people out there who wouldn't spend a penny otherwise on music and movies, or spend way too little. A substantial number of people dont even share that much on those illegal networks, and so many ****ing leechers are out there. They dont share, they dont buy - best of both worlds. Thats why its so hard to find/get a lot of music out there.
Also - how many of you never downloaded illegal music? Hmmmm, be honest. I downloaded a bunch myself.
But I am not worried that much. You wont see me downloading Britnay Spears or Eminem. Or much of today's (copyrighted) music. They'll have to prove in court if I was downloading "illegal" music. But I buy a lot of music, too. Without downloading, I would have never purchased more than half of the music I own today - because of "illegal" downloading I managed to discover so many artists, songs, labels out there to continue from.
But on the other hand, websites like Beaport and ITunes are so shitty. I've run into countless situations when they did NOT have the tunes I was looking for, or as in the case of Beatport - restricted from my area. And I am not exagerrating. Why are they chasing people like me if they cant provide me with the music I look for in the first place?
Internet will change greatly in the future and will be more controlled. Enjoy it while you can.
___________________
Whenever you go and buy something, you are affecting someone somewhere, be it environment, a person, or a community - you're making a statement with what you buy. So make it a smart choice ... Its a big picture
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May-12-2009 22:24
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julien2
HTML is not allowed

Registered: Jun 2005
Location: Montreal
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| quote: | Originally posted by elFreak
i think it is not up to the patrons to adapt, but the artist.
the companies that give them the advances are not the same entity
people are allowed to profit, and i am drunkish so i'll argue more tomorrow.
like in any other area in life, if you don't break the law you have no problems.
most of the music we enjoy , the artist runs the label and therefore is losing out. Fuck celine in the ass. |
I don't agree with your first statement. For the sake of argument, let's make it clear that I am talking about music industry as a whole, and that whole is 99.9% Sony BMG and Warner and whatnot.
They are the ones doing the lobbying here, not Archipel and Thinner.
I believe it is up to BOTH the labels and the artists to adapt.
Any artist will tell you that what he/she wants most is to have his/her music heard (unless they are in it for the money). But they still have to eat.
However, it has been shown that artists are willing to change and adapt, whether it is new business models (Archipel sells 320 and vinyl and then distributes VBR ; Unfoundsound is free and uses that publicity to promote Founsound ; etc, etc) or whether it is the new model of publicity-advert like NIN and Radiohead.
However, the big labels are not willing to change, and that is a problem. It is also up to them to change.
They are obviously a company, and have a right to profit, but this is not the argument. The argument is that their business model is failing. It sucks. They will die in the long run. They use their political weight to lobby for laws that will change nothing (come on, let's be serious, piracy is here to stay) instead of contributing new ideas, like a serious business should do.
As I said, a flat rate for the whole back catalogue. I have never heard someone against it. I know I would totally pay.
It already exists for radio, restaurants, etc, which pay a certain amount to some organisation.
As for the labels we enjoy, they are the .01% of the music industry, and are not what this thread is about
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May-12-2009 22:42
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SMC
custom title addict
Registered: Sep 2003
Location: Sweden
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Death to all these slimy, IP-advocating, statist fucks. I can't stand them.
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May-12-2009 23:23
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