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The easiest way to copyright it (oldschool trick here) is to take the master, burn it on to a CD or even a USB stick, and sent it to yourself via certified mail. Then store it when it arrives.
There's a government registered timestamp of your work, and if it ever gets to court, give that piece of evidence and at least the timing can't be disputed. So basically, copyright costs you a postage fee.
However, even uploading a WIP of it will invalidate it, becuase any could rip that off and your finished track could be different enough to their version that it won't hold up.
Norman Cook (Fatboy himself) actually pays a service to recreate sounds he's sampled from elsewhere so he doesn;t have to pay a clearance fee. They document the whole process for him. It costs a couple of thousand upfront but it's way cheaper than having to pay out a % of sales on an album that ended up selling several million copies.
The only thing is, these days there so little money in "tracks" that you really shouldn't stress about copyright. Sure it sucks to get ripped off but, what, they guy is going to make $200 if he tops a chart on beatport?
It does become different when licensing is involved though, so a couple of songwriter guys I know actually copyright the melodies if they think they're on to a winner, even if they're completely unfinished. The overriding thing is though, that if you rip someone off, the network is small and people won't work with you again. Just look at how prolific ghost writing has become and you realize that content ownership has never meant less in dance music.
In the old days of vinyl, if someone bootlegged your track or put out a remix that wasn't cleared, the boys used to go over and give a beatdown in lieu of payment. It literally happened all the time - it got to the point that vinyl press owners got really worried about their techs taking backhanders for a quick bootleg on a friday evening and finding them in hospital a few weeks later (you could often tell which press by the markings on the inner ring by the label).
Now, someone gets ripped off or sells your track without authorization and people just shrug, and go, "oh well, it's the industry these days".
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