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| quote: | Originally posted by Rememberence_
I disagree for the mostpart. I want a pair of speakers that will reproduce the audio that I put through them as accurately as possible, considering my budget. I don't see how this has anything to do with taste. At this stage I am finding out what is available - their prices, specs etc... when I finally choose what to buy, I may go and hear them, but I'm sure my ears will enjoy them because they will be good quality by choice of specs. Hence this thread, I'm looking for feedback on what choice other people have made, why, and how satisfied they were in the end. In other words, what is popular.
Thanks for the info tamtui, I looked at those yesterday and they are some that I am seriously considering! |
Agreed when you go for studio monitors, you aim to get speakers that can sound as linear as possible. But taste does matter for some bit, and also everyone has a different hearing.
Just to give an example. Mackie HR824 are regarded by many engineers as THE best nearfield monitors available up to now (I think so too). Ultra linear, very precise and all that. Yet other engineers don't like em at all. Too muddy, they say. They prefer Genelecs over them (and then again many people say Genelecs sound to harsh and are tyring to listen in the long run). Both systems are examples of exemplary linearity, yet there are divided opinions on them.
That, and the fact that you NEED a completely linear system is not always true. If you from yourself that when mixing tunes (mixing as in production mixdown, that's what nearfield monitors are made for after all) you are a little bass heavy, there's nothing wrong with monitors that have an emphasis in the bottom end (you'll automatically put less bass in your tunes, which may sound better on other systems later). As long as it works for YOU.
I like the Behringers, I bought them myself. I like the sound they produce, and feel they're good enough for what I do with them now (I might go Mackie when I want to move on). Yet I know a lot of people that find the Truths the biggest pile of sh*t ever made (after a blind test, without them knowing which brand it was, I know a lot of people say Behringer is crap just because of the name).
Take my advice on it. Go to the shop and take a cd you know by heart. You know how it should sound, and from there on compare monitors. You may find that you prefer other monitors over the Behringers (like the Alesis, I'd say they are on par with the Truths).
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