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I'm not for the using of several kicks so kicks hava a main tonal component and it can derive in worst troubles as phase cancellations, loss of punch... Instead of it, use a percussive noisy mid/hi-freq sample, such as a snare, sharp hat or conga.
That's the workflow I use:
Try to look for new kick sounds (909 is good but the world is a bit bigger).
Try to find the adecuate kick for the bass you are gonna use. Not all kicks fit well together with the bass into the mix.
Try to enhance the "click" but preserving a dense tonal decay. The use of a compressor is specially indicated for this. A good way to improve the click and the punchy effect is to play with the pitch control (envelope) of your sampler. I use Battery as following (look at the red line, indicating the pitch variation):

For the kick track you can use a compressor (I prefer Waves' C1). I usually control the compression by bandpass sidechain:

Then, or at the same time, you should EQ enhancing the most characteristic of your kick but being careful with the mids. You should note that many sample library kicks are precompressed and preEQ, so your actions must be directed to soften or to highlight these depending on the sound you are looking for.
To add some hi-freq percussive content I mixed the kick with a tabla, resulting in the this spectrum:

And finally you can route the kick track together with other rhythm tracks to a subgroup where you can compress and EQ all the section or, as I was adviced recently, to premix only kick and bass leaving soft percussion for a lighter compression.
This is just my way. 
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