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BetaFactory
Supreme tranceaddict

Registered: Jan 2004
Location: Helsinki/Vaasa, Finland
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"The standard elements" worked well in 97-98, when they still were quite fresh elements of trance. And indeed, trance might seem a bit boring these days. If you ask my personal opinion, trance music is in some kind of "searching mode" nowadays, where it seems to have the standard elements of 97-99 trance as a steady ground, from which it seems almost impossible to let go off for 100%, but at the same time trying to find influences from the old trance music, as it all started. In a somewhat near future, I suppose there will arise a new generation of trance music, pictured in my list below as generation 3.
Generation 1: the old classic, highly-repetetive trance music.
Generation 2: the trance boom sound of 97-99 (appr.), which we could in some say call a revolution
Generation 2+: the trance sound of today, relying on the previous two generations.
Generation 3: the next revolution, still to come, where I'm hoping to see a totally new idea incorporated in the trance genre (but still not changing the main idea of trance, of course).
Keep in mind, that this is only something that visualises the ideas and thoughts I have in my own little brain. Feel free to criticize if you think my "generations" are way off the line. 
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Apr-13-2004 10:42
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skytribe
Senior tranceaddict
Registered: Mar 2004
Location: Toronto, Canada
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What I'd like to hear a lot more of (and, dare I say it, produce) is that older style. Nowadays, so much trance follows the Gouryella/Rank 1 formula, with big huge hooks that come out of nowhere. Sure, it sounds nice. And sure, at 4am on a dancefloor, it's going to drive me insane.
But what I miss are those classics like BF - 98. In fact, everything on the first Tranceport album. That's the style I really love. Progressive, yes. But also deeply melodic. And most importantly, it's music that flows. Cafe del Mar, for example, is possibly one of the most perfect trance tracks ever produced. Why? Because it doesn't rely on snare fills to build up the track. Uses them, yes, but the track would work almost as well without them. It follows logical musical concepts that we've all grown up with, and seamlessly flows from one phrase to the next.
That's what I'm trying, and failing miserably to do. One day..
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Apr-13-2004 18:33
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