UAD-1 users and "HELLO!"
Hi all! As you can probably see I just joined this forum. I've been floating around for quite a while, but for some reason never got around to registering.
Anyways, my name is Russ and I live in New York, USA - I moved here from Ukraine about 9 years ago. I'm a DJ (although I don't spin much anymore) and a part-time amateur producer. I [try to] produce hard progressive/progressive trance and hardstyle. Here's what I use in my small bedroom studio:
DAW:
-19" LCD Monitor
-P4 3.0
-1024 MB RAM
-160GB + 80GB SATA HD
DSP:
-AU UAD-1 Project Pack
-TC PowerCore Element
RECORDING/SEQUENCING:
-Nuendo 2.0
-Logic 5.5
-MOTU 828 MKII
-Steinberg MIDEX 8
MONITORING:
-Mackie HR-624 (PAIR)
-Auralex MoPads
-Beyer Dynamic DT-990 PRO Headphones
SYNTHS:
-Virus|Powercore
-Emagic ES2, ES1
-z3ta+
-Albino 2
-Atmosphere
-Trilogy
-Pro-53
-Vaz 2010
-Vaz Plus
-Wired: Elements of Trance
-Mach 5
-Kontakt
-Kompakt
...I'm sure I'm forgetting something...
DJ:
-2 x Technics SL-1200 M3D
-Stanton SMX-401 Mixer
-Ortofon Concord DJ Cartridges
-Sony MDR-V700 Headphones
Ok, I think that's it for the introduction. Feel free to contact me for whatever reason! 
Now off to the questions 
This is mostly for people who have a UAD-1 card or have used one. I have a question about a UAD-1 compressor: 1176 SE. Is it a good compressor to use for bass and kicks? It's not setup like other compressors I have ever used before: there's no threshold, ratio is only limited to 4 choices and attack/release knobs seem to be reversed (all the way clockwise - fastest attack/release, all the way counterclockwise - slowest attack/release), so I'm not sure if the controls it does have are sufficient for use in dance music. Should I maybe use a different compressor that has a more traditional setup?
Another question I have is about a certain compression technique. I've heard a lot of people recommend compressing all bass parts and kicks together. Do most of you here follow this suggestion? I personally have a difficult time achieving satisfactory results using this technique - usually either the kick overpowers the bass, or the bass overpowers the kick, I can't seem to make them work together. Am I doing something wrong? Any tips/suggestions would be greatly appreciated.
I think that's it for now. Hope to get some answers And I'll be posting more questions without a doubt; this seems to be a great place to get answers 
Regards,
REMIDI
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