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Taken from the dj list:
In Egyptian dance music circles, Khaled's name conjures near mythological references and fond memories of unforgettable gigs at exotic destinations. What punctuates Khaled's skills as a DJ is his capacity to not only incorporate diverse genres and styles, but to transcend them by infusing his music with pure emotion. Khaled's talent is matched only by his passion, which has seen him become one of Egypt's true superstars.
Music has always been the biggest passion in Khaled's life; He felt the need to share this passion and explode his self inner expression with other people. Khaled's career started as a DJ in 1994. Between 1994 and 1996 he performed as a resident DJ for Woody's Pub which at the time was Egypt's ultimate "party hangout". Khaled has toured Egypt's playing at its finest clubs, concerts, and media outlets.
Khaled's most memorable night was performing in front of 33,000 clubbers @ Club Sandorini. During the same year he was awarded 1st place in the DJ MIXING COMPETITION (DMC), followed by earning the title "Egypt's most popular DJ" by yallabina.
Khaled has Preformed alongside with the worlds most finest talent to mention a few Sonique, Chus & Ceballos, John Kelly,Anthony Pappa ,Judge Jules,Matthew Dekay, John 00 Fleming, Lemon 8, Steve Lawler and, Satoshi Tommie. Also he has participated in concerts with respectable artists such as Amr Diab, Assy El Helany, Ragheb Alama, Elissa, Nawal EL Zoghby, and, Wael Kafoury. Khaled is a regular guest DJ @ the superior Pacha- Sharm Club and Latex.
It is with no doubt that Khaled has altered the Egypt's Dance scene and taken his crowds to new heights. Khaled can truly be titled as a "Pioneer".
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| quote: | Originally posted by InMyPlace**
Dancing is like invisible art.
You're constantly creating masterpieces,
each different,
but each with a recognizable pattern.
As quick as they're created,
they disappear,
forever.
You may think you see the same thing twice,
but each move comes with a different beat, a differetn emotion, a new burst...
of life. |
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