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Actually, the first one sounds like super sidechain compression on a long bass note to me, controlled by the kick; when the kick hits, the long note is completely silent. The second one is similar, except the bass rhythm seems to be:
:|b==b|b=b-|b==b|b=b-|:
Where = means the note is held. The compression on the second one is also not as apparent as on the first.
Here's a sample using this method with Floops. Tweakbench pressure on bass with one of BrenF's kicks.
http://s52.yousendit.com/d.aspx?id=...6H2WXXNQF453EAZ
I have two measures showing what the bassline sounds like without the kick, then four with the kick.
My suggestion: know how to do this, but don't overdo it. Particularly in that first sample, it sounds cheesy and stupid.
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