i think if the music is quality it's bound to get recognized and "make it", if the track is shitty it can be up for sale wherever you put it but it'll still be shit and recognized as that - with no progress for the artist whatsoever.
people can pump out tracks if they want to but if it's not quality it's not gonna go anywhere so who really cares what they do.

I see your point, but I don't think this is going to destroy the scene, it's just going to change it. If anything this will make the good DJ's role that much more important because joe-everyman won't have the time to dig through hordes of sub-par productions just to find the good stuff. On the other hand it's bad for producers themselves. It makes it that much harder to stand out. But I don't think that's enough to destroy them. The ones who are driven by profit will get discouraged after a few years, while the ones who are driven by their passion for music will go on.

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Originally posted by Mr.Mystery This is slowly but surely leading us to the point where the market is full of sub-par, generic sounding FL/Reason tracks made by teens who think they're the next big thing, when in reality the only people who will ever hear from them are the TA's. Who's going to bother going through all those "releases" just to find the 1 or 2 good ones?

Especially what you're saying here is correct. Seems like everyone thinks their tracks are the next big thing . I'm fed up going trough so many tunes, just to find a few that might interested me or cheer me up... This if very time-grabbing and I don't think I will keep this up forever, hehe ...

Digital download stores are already starting to weed out some of these labels on the basis of low sales, as obviously they realise the issues that having x amount of nameless faceless digital labels on their sites could lead to if it were left to grow.

Granted, there are new digital labels every day, but if it comes to a point whereby these labels cant obtain / lose an outlet such as say Beatport, then they wont be around for long obviously, hopefully pushing labels to think more in terms of quality over quantity again.

quote:

Originally posted by [B-O-F-H] Digital download stores are already starting to weed out some of these labels on the basis of low sales, as obviously they realise the issues that having x amount of nameless faceless digital labels on their sites could lead to if it were left to grow. Granted, there are new digital labels every day, but if it comes to a point whereby these labels cant obtain / lose an outlet such as say Beatport, then they wont be around for long obviously, hopefully pushing labels to think more in terms of quality over quantity again.

Hopefully this will happen soon then. The problem now is that there are so many of these labels, the 2 Nik mentioned being some of the worst offenders which are releasing sub-standard tracks which over-populate a genre already reeling from the number of labels in total.

The problem in general (in the MPP forum) is that nobody seems to have the balls to criticise anymore. 1 constructively critical post can do more for a tune than 30 which just say 'omg tune' 'wow i like this' etc. There was a time when this happened, and when the only producers getting releases were those such as Haak (who is a totally down to earth & friendly guy, on the forums not to promote himself foremost, which many of these people we're expected to support are) and in a lot of cases, these people bump their own threads etc, or even have multiple accounts to spam. I want to know what these people are giving to tranceaddict, as it's gone from being the best forum on the net for music to one that's just a combination of spammers & jackasses who can't debate properly or accept the opinions of those more knowledgeable users who've been supporting the scene for a lot longer.

Finally, onto "real music recordings" as an example. This label is run by a guy who's been involved in the illegal mp3 trading business for ages, and is just using this as an excuse to promote himself for his dj gigs & make some money off these artists too (allbeit not much) and I feel really sorry for anyone who's been released under his label as he's not the kind of personality we need in the scene, there's already enough backstabbing & assholes running everything.

I've said it before, I'll say it again. The More tunes released.. the more choice you have= better. If you're too lazy to look for the tunes you like, that's not anyone else's fault but yours.

Having said that, I do agree the self-promotion around here has gotten a little ridiculous, especially in the new tracks section.

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M.I.K.E. IS GOD

Some of it I like, and some of it I don't like. It depends on the artist, not the label. Real Music Recordings being one of them, has some really great stuff, like Ethereal's "Inamorata", Shawn Mitiski & Tyler Michaud's "Daydream (esp the Hydroid Remix), Mikka Leinonen's "Calm Waters" & "Leaving These Shores", Exoplanet's "Meteor" and "Morning Lime" and a few others. However, i've noticed some of the artists on there are quite "traditional" or "amateurish" in that they reuse the same old trance riffs and build ups/breadkowns which bug the hell out me, examples like "Behind The Sun" by Mooforce & Foreign Sun, "Fireflies" by Vast Vision & Partners In Crime, or Six Senses "Innocent Thoughts". I don't mind breakdowns and build ups, and I love trance, but I really like more innovative approaches to these things, more gradual breakdowns.

E-TCR is a little better IMO. They have some really cool stuff, like Mark Thorton's "Now You See", which I will concede is somewhat traditional and simple, but with it's remixes, and even with the original, it's a nice piece of music, and Sophie Sugar's "Isis" is a nice, Skyform's "Infinite" is cool, and so is JPL's "A Place Called Home (esp the Passiva 138 BPM Remix). I don't like Lost Witness's "The Waiting Game" and i'm not a big fan anymore of Summer Sessions's "Blossom" (it was pretty cool when I first head it last summer, but now...doesn't do a whole lot for me, the typical over-used early 21th century trance sounds again).

Last edited by Spirit5 on Mar-12-2006 at 17:18

K.. that's a little absurd. So you want all the labels to release tunes that YOU like. Some people still like the riff or traditional style, just because you don't like it doesn't mean it shouldn't be released.

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M.I.K.E. IS GOD

as far as i'm concerned...if you can't get your record on a decent, well established label...it's probably shit and shouldn't be pressed to begin with.

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Originally posted by Numidia K.. that's a little absurd. So you want all the labels to release tunes that YOU like. Some people still like the riff or traditional style, just because you don't like it doesn't mean it shouldn't be released.

No not saying that, I'm just stating my opinion on the releases on those two mostly digital labels (even though ETCR has branched out into vinyl). People really misinterpret what I say on here all the time..bugs the hell out me. If people do, thats great, I'm just saying I prefer other sounds in trance releases. I'm not saying they "shouldn't release stuff like that" and for the people that do great, but I personally don't like "trance riffs" anymore, just like I don't like "heavy metal-guitar riffs". This is just a personal thing, no reflection on those who like it...I edited it to restate "some I like, some I don't like" to clearly state this a personal reflection. Maybe I was wrong to say some of it was bad and some of it was good, they are all good in their own right, but that doesn't mean I have to like it all. Some of it is a bit more "polished" then others.

Last edited by Spirit5 on Mar-12-2006 at 17:08

quote:

Originally posted by Floorfiller as far as i'm concerned...if you can't get your record on a decent, well established label...it's probably shit and shouldn't be pressed to begin with.

Yeah, so they sell them as mp3s instead.

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