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Andryuha
Supreme tranceaddict
Registered: Sep 2006
Location: Cleveland, Ohio
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I didn't have a chance to listen yet. However, it took me a while to figure out phrasing. I'm a newbie myself so take following advice with a grain of salt.
I found that the easiest way to phrase is to hit "play" on the cued deck exactly on the first beat after a breakdown on a track that's currently playing. If you did this and beat-matched correctly, the phrases will line up perfectly in most cases (breakdowns and cymbal hits will occur at the same time on both tracks). Once the tracks are phrase matched, you need adjust your gains and EQs to make sure that both tracks are playing at about the same volume (obviously do this in the headphones). This is very important. If you cut the main track, and cued track is playing at a lower volume - it will most likely sound very awkward.
I hope all of this made sense
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Jun-21-2007 19:44
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David Jeffreys
tranceaddict
Registered: Nov 2006
Location: San Jose
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learn how to count beats.16, 32, 64, and so forth.
and know your tracks well, so when that nasty
8 beat dropout hits you are ready for it and have already
added that adjustment to the cue track
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Jun-22-2007 01:11
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Andryuha
Supreme tranceaddict
Registered: Sep 2006
Location: Cleveland, Ohio
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| quote: | Originally posted by Spoonz
unless of course the two tracks have totally diff time signatures :P - but that should have already been decided before hand |
I know what you mean, but that method seems to work with most of the tracks I played.
On a side note, I hate tunes where beat cuts out with no prior indicators. Take for example Gabriel & Dresden - Eleven. For the last two minutes or so, it's just some repetitive sound effect.
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Jun-22-2007 14:02
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