Getting a better soundcard to record the set with is often a good start.

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quote:

If less is more think about how much more more would be. -Frasier

quote:

Originally posted by Storyteller Getting a better soundcard to record the set with is often a good start.

chris girard - rideau street (storyteller remix)

amazing work. love it. [/off-topic]

on-topic:

i agree.

Thanks

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quote:

If less is more think about how much more more would be. -Frasier

quote:

Originally posted by Storyteller Getting a better soundcard to record the set with is often a good start.

that and getting your hands on the almighty id&t compressor.

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all right, thanks so much im going to try look for one ..

and by the way

Gabriel batz- besoin d aimer (storyteller rmx) --- what a tune¡¡¡¡ really love it

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quote:

Originally posted by montana that and getting your hands on the almighty id&t compressor.

Do you mean the ASOT-style sound? There was a plug-in for winamp a while back that did that.

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The ASOT show is just compressed/limited fairly hard which makes it sounds loud and powerfull .

This could help too of course, but if the recordings somehow sound flat and or muffled the soundcard should really be replaced for a better kind.

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quote:

If less is more think about how much more more would be. -Frasier

quote:

Originally posted by Storyteller The ASOT show is just compressed/limited fairly hard which makes it sounds loud and powerfull . This could help too of course, but if the recordings somehow sound flat and or muffled the soundcard should really be replaced for a better kind.

ok thanks m8 im going to practice adding a compressor to see how i can work it out also im looking for some books to understand better the compression function but i really appreciate your advise ...

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quote:

Originally posted by olwenskatha Gabriel batz- besoin d aimer (storyteller rmx) --- what a tune¡¡¡¡ really love it

Stop the off-topics!









Thank you too


Programs such as adobe audition feature simple limiters which function very well in my opinion. Just fill in the boosting volume and in general it takes care of the rest (Tip: Just boost it enough so the limiter cut's of a lot of peaks in volume, not the whole recording ).

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quote:

If less is more think about how much more more would be. -Frasier

quote:

Originally posted by Storyteller Stop the off-topics! Thank you too Programs such as adobe audition feature simple limiters which function very well in my opinion. Just fill in the boosting volume and in general it takes care of the rest (Tip: Just boost it enough so the limiter cut's of a lot of peaks in volume, not the whole recording ).

all right thanks a lot... from now on im going to improve the sound lol thanks all of you

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Watch your compression, especially if you're new to the concept/practice...one of the worst things you can do is overcompress the signal and kill it's dynamic range. The radio station will have a limiter in thier broadcast chain.

If you overcompress, you will lose all breathing room in the track, your low end will get muddy and the top end will get very wet and slashy, all of which sounds like garbage.

To start with, I suggest:

Ratio: 3:1

Fast attack, med release (if these are too fast, the track will 'pump' when compression kicks in)

The threshold should bet set so that you see gain reduction on the peak transients, not the whole program.

Once you're set, turn up the output (makeup) gain until you get the appropriate level into the broadcast mixer.

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