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| quote: | Originally posted by Lith
To add to DJ RANN's post, your signal chain is as good as your weakest link, so your budget comes into play here as well. Is $350 your budget?
I've played a Voyager before, which sounded great, but you could negatively color the sound with a cheap mixer/interface. I can't comment on RME myself.
You have the option of using a line mixer, which in my experience hasn't been a bad choice, so potentially you could run through that into the RME (at a much lesser cost than a new interface).
Taking into account what you already own though, it sounds like your budget is open, so you may want to consider something entirely new like RANN suggested, but to give good advice, knowing all of your requirements will help narrow down what you should actually get.
And, always keep in mind--don't send a Voyager through something low-quality, otherwise you've wasted the money on something that could be accomplished through a cheaper alternative. It's a pretty specialized piece of gear, and you don't want to degrade the signal chain in any way. |
Dude, this post is seriously confusing.
I think you keep using the letters RME instead of EMU. If he had an RME , this thread would be a non-starter.
Also, I don't get what your logic is for using a line mixer:
the output of a moog is line level - it's not a mic level signal that need attenuation to become a line level signal.
Also, unless you're going to use some very nice mixer, like a pro summing mixer or vintage valve mixer, then I'd really want to go as direct as possible, straight from Moog to interface. Budget mixers/devices in the signal chain will not do anything other than distort or color.
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