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Tony Morello
The Renegade Master

Registered: Apr 2001
Location: Calgary, Alberta, Canada
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Jan-10-2003 08:38
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Dj Flesch
Supreme tranceaddict
Registered: Aug 2001
Location: Indianapolis, USA
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Whether you use the crossfader or the channel volume sliders to mix, I personally leave the bass on the cue track at full and when I start increasing the volume on the cue track, bring the bass of the live track slightly down (not that much though--a couple of notches on the eq knob at most).
Think of it this way, when you change the eq knob, you aren't just perfectly eliminating the bass beat, as you found out. You are eliminating a whole frequency range in the bass and mid-bass area. Killing the bass completely usually does make the track sound like crap because it was ment to have those frequency ranges being played. If your tracks are beatmatched and your volume levels are set okay, then you won't have the problem of overbassing. If you do, then you need to turn your bass down on the track you are mixing out of just a little bit more.
It's kind of a miracle to me that it seems to work out perfectly all the time, even when I think that I should hear overbassing (both beats creating a really loud bass beat). Just give it a try, and record your transitions, then listen to them and bingo, you can learn from your mistakes, or revel in your success!
___________________
When you dance, the DJ takes you on a journey, but he or she is usually not the focus of your experience at a club or festival or wherever you hear the music. Dancing is. Music is.
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Jan-10-2003 12:42
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MERiDiAN5i2
Supreme tranceaddict

Registered: Oct 2001
Location: Texas, USA
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first off.. your EQ movements should be linked to the movement of the music. try not to make EQ changes in the middle of bars and phrases. make your changes at change points in the tracks. quick, accurate adjustments are best, although slow adjustments can work too.. really depends on the specific track.
it *really* depends on the transition you want to make. there is no one way to work the EQs, no one method, no one way to sound good. how you work the EQs is dependent on: your mixing hardware, your style, the genre you spin, and how agressive or smooth you want your fade to be.
I could go over a number of ways to work the EQs.. but i dont spin trance so they probably wouldnt do you any good. what helps more, is knowing the tracks your playing and how they mesh properly. play around!
just keep in mind that major EQ adjustments should be made at "breakspoints", or where the music itself changes. if your phrases are matched, these change points will happen on both tracks at the same time.. so the music changes at the same time, when the ears expect it, and you add some EQ action on top of this..
and since it's on a breakpoint of some sort, the ears EXPECT to hear some sort of change, so it sounds more natural.
also, dont forget, aside from the EQs, at change points, you can also adjust the main level of the channels to bring a track more into the foreground or background.
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Jan-10-2003 21:41
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