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What makes a great tune??..
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| Floorfiller |
| this topic has come up before in the production forums, but i'd like to here what everyone thinks about the subject. of course well all listen to different stuff within a general community, but what attracts you to the type of music that you listen too. melody?? beat?? tell me...what does it for you??? |
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| moncster |
Absence of bad vocals.
Absence of cheesey lyrics.
Absence of overused synths and beats.
Absence of cheesey melodies. |
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| Galapidate |
| ^Yeah, what he said :D |
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| KilldaDJ |
for
drum n bass : slammin beat with solid bassline, minus vocals
trance : uplifting melody with atmosphere, minus vocals, i hate vocals of any sort, some will do, but thats like 3% of the time
ambient : er...
breaks : its funkay like, none of this dj skribble |
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| Clyde77 |
melody
:crazy:
elements.
atmosphere |
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| DrummeRaver86 |
| quote: | Originally posted by BTG
Anything i make. |
:disbelief |
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| magnasoma |
I think a break always goes down well. At the start of a track you are normally lead in with a simple 4/4 or summink and then elements are progressively entered onto the track. A break allows a second, and often vital introduction to the body of the track as it really stands, so that the most important or euphoric synths and synth/vocal elements can be given a chance to shine. For me, this is the start of the track per se - you can think of the time before this as mood setting, but the break is the part of the track where the track is given merit to shine on its own.
Of course, this doesn't work for a lot of tracks, i'm thinking DuMonde, Kansai, Neo & Farina, that kinda thing.
AND, it looks cool on the vinyl :) |
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| 44htz |
That's hard to answer in less than 500 pages
So often I've heard the best rithyms, melodies etc. destroyed by a pathetic mix.
Kruder and Dorfmeister are the best example of how to mix IMO;) |
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