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Paul Gibson & Luke Terry - Infraction (pg. 2)
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| Az |
I quite like it, best thing I've heard from you luke
just gets a bit boring after a while |
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| George Kendall |
I like it too, like I said in chat the little kick roll thingy at the break sounds daft...
the bass is cool, the percs are good but i think they need a bit of treble and compression to bring them out a bit. The main riff is ok, not really my thing though.. |
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| Drazzic |
| Nice bassline, beats are also nice (y) kick sounded not that good in the beginning but with all the stuff around the kick is great. Overall sounds really nice. Great track (Y) |
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| broken silence |
wow ! you showed my ass haha!
still, too dry nevertheless :) |
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| Turner |
| quote: | Originally posted by Sunquest
(love the background female voice) |
that'll probably be lukes voice then :p |
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| Trancevision |
wow. really nice. If your remix of "you know what" will be in this league, I can go home *lol*.
Trancevision |
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| Fatboy |
Great stuff. I really like the kick and the percs in general. Very well produced stuff:) Can't hear much clipping myself.
Peace |
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| Jay M |
Uplifting swing in the percussion, it's the uplifting style I like.
Bass is a bit too loud IMO. That's why the kicks too loud too i guess.
Nice variety in the percs and all. Keeps you awake. Lead could be better. It all sounds dry indeed. Cream it up and press :D
Hey I hear ticks :(
Build up is great.
Good uplifting for a happy party or some documentary about big parties or so...
I'll stop now.
Cheers :D |
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| FuzzyGreen |
I'll review as my ideas come, please take it constructively and not as an insult (cause it's not).
Too FruityLoopey for me. Maybe add something that's not a 16th note or off a little (swing something).
Way too much bass.
Don't use that fruity fiter any more, or add a little more res or something because it sounds really thin (not sure why though).
You might get a better emotional response if you use a chord progression like a, f, g, e,(transposed to your key of course) instead of am, f,g,f (again transposed to your key). Also, try to stick to the same chord progression for each 4 measures, don't switch it out or make it longer (although you can switch it out at a bridge). The songs timing is a little off as far as the outtro is concerned (stick to 32beat phrases).
People flamed me and got all mad at me in the production forum when I started talking about "standards" and "rules" in music, but this track is a perfect example of why I wrote that post. If you don't follow the rules, people wont react properly to the song. |
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| Luke Terry |
| quote: | Originally posted by FuzzyGreen
I'll review as my ideas come, please take it constructively and not as an insult (cause it's not).
Too FruityLoopey for me. Maybe add something that's not a 16th note or off a little (swing something).
Way too much bass.
Don't use that fruity fiter any more, or add a little more res or something because it sounds really thin (not sure why though).
You might get a better emotional response if you use a chord progression like a, f, g, e,(transposed to your key of course) instead of am, f,g,f (again transposed to your key). Also, try to stick to the same chord progression for each 4 measures, don't switch it out or make it longer (although you can switch it out at a bridge). The songs timing is a little off as far as the outtro is concerned (stick to 32beat phrases).
People flamed me and got all mad at me in the production forum when I started talking about "standards" and "rules" in music, but this track is a perfect example of why I wrote that post. If you don't follow the rules, people wont react properly to the song. |
heh, the filter in antares not fruity ;) and the outro is in 64/32 beat phrases so i don't quite see what you are getting at. i do agree with the chord progression, that prompted the extra melody bit which im happier with but i still aren't happy with completely. cheers tho :) |
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| TOR |
good stuff.
but as mentioned several times before, it's clipping as hell.
the melody is alright, not really my cup of tea..
other than that i like it, the bass is great. |
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