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Recording your promo mix...would this be wrong? (pg. 2)
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| dj chex |
| at least once every couple of weeks i record my mix sessions straight from the mixer. I don't worry too much about editing aside from normalizing and triming the silence in the beginning and end. By recording alot of my practice sessions i can learn where i mess up and what needs to be done to correct it. I LEARN FROM MY MISTAKES!!! I DON'T USE SOME OTHER METHOD TO MAGICALLY FIX MY FLAWS! This will help you progress alot on programing, beat matching, fading, eq's, effects, levels, and counting measures, and so forth. It will most likely take a long time to learn how to fix mistakes, but, by having the ability to study your work from another point of view you can truly improve your skills as a dj and to produce that promo mix that will propel your confidence and skill. |
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| dj chex |
| quote: | Originally posted by JRB
Well, the reason I brought this up in the first place is because in another thread, the issue was brought up that you demo should be 100% flawless. this being the case, this would be one way to make a flawless demo cd. Now, I wouldn't believe in doing this if i couldn't back up my mixing. The problem I have is when I record my mixes and play them back in studio monitors I can hear the beats or snares go slightly off beat once in a while. however, in a club situation, you wouldn't even notice these things. |
Another thing, demos and mixing IMO should have flaws. I honestly love electronic music because there's a connection between technology and the human touch. It seems more natural and real to me to hear minor mistakes and the pops and clicks of vinyl than to only hear digital, noise free, mechanical precision mixing. When i hear mix sets like that i usually turn it off because to me there's no connection. That's the way i feel about most big name dj's mix cds. The only albums i've been raving about and listening to are stuff like moonshine's Mixed Live sets where there are people in the audience. That's fun. |
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| Psygnosis |
| quote: | Originally posted by DJ_Octane
Oh yeah, I forgot. Whatever you decide to do...just make sure you can back it up. |
Agreed 100%
Do it with any style but be sure you can backup your mix with your skills in real life.
Though it does indeed show your skills as how you pick songs and how you take the listener on a journey.
For me, i would rather see someone play a enjoyable set compared to a flawless set. |
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| rafale |
imo.. you can submit tiesto live @ TE 2000 or oakey's tranceport cDs as your demos.
If you can produce the goods in real-life then its great. The demo is only used as a stepping stone for u to get that one step higher. Once you're that much higher, the demo loses its importance. |
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| T:REBEL |
Only way to do a demo is to record it live and not splice tracks.
I would never consider altering it. 'Cuz when u spin in front of the crowd, the promotors are gonna expect big things from you. And if you disappoint, you're probably screwed.
Do it live.
Only way I would put it through is for tweakin' my Eq's... |
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| progressivepey |
| quote: | Originally posted by T:REBEL
I would never consider altering it. 'Cuz when u spin in front of the crowd, the promotors are gonna expect big things from you. And if you disappoint, you're probably screwed. |
and don't forget that promoters talk to each other. so once you've submitted a freaking awesome demo, but then fold under the pressure of a club atmosphere.. you're not going to get too many gigs after that. put some time and effort into mixing and develop a talent so that you can back up your work. that is really the only way if you wanna move ahead with your talents.
pEy |
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| borron |
| quote: | Originally posted by stupidisco
just know that while you are using your "pro tools" to create that perfect mix, there is a dj out there that can do that on the wheels of steel.
feels ty huh? |
Right on! That was exactly my thinking :toocool:
Plus like it was been said above, if you make a mix clearly superior to your skills, you can get seriously burned... |
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| Dirk W. |
It really bothers me when I get near the end of recording a promo cd and I screw up a bit. I never really trainwreck, but something will always go off noticeably. I don't fix it though by redoing the mix. It bothers me to death when I hear it, but it is a true demonstration of me completing a straight set. There is no editing in a live situation. I want people to know exactly what to expect from me.
I think of it as: It's kinda like lying on your resume. You can say you got a 4.0 in nuclear physics and that you're a genius, but if you're lying, don't know your then you will eventually be exposed and look like an idiot. What's the point?
I like people to know everything up-front and if anything, undersell myself so that when I begin doing whatever it is I do, I will either meet or exceed their expectations. I like being perfect, but I am not so I won't present myself as perfect in a promo cd or anything else. |
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| IntegraR0064 |
| quote: | Originally posted by Dirk W.
It really bothers me when I get near the end of recording a promo cd and I screw up a bit. I never really trainwreck, but something will always go off noticeably. I don't fix it though by redoing the mix. It bothers me to death when I hear it, but it is a true demonstration of me completing a straight set. There is no editing in a live situation. I want people to know exactly what to expect from me.
I think of it as: It's kinda like lying on your resume. You can say you got a 4.0 in nuclear physics and that you're a genius, but if you're lying, don't know your then you will eventually be exposed and look like an idiot. What's the point?
I like people to know everything up-front and if anything, undersell myself so that when I begin doing whatever it is I do, I will either meet or exceed their expectations. I like being perfect, but I am not so I won't present myself as perfect in a promo cd or anything else. |
Exactly. |
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| Swiss Nora |
Editing a demo with your computer and sending it out to promoters or using it as a promo is like lying on your CV. ;)
Yes i've done a mix and not exactly edited it, but mixed the tracks till i got it right then join the best mixes together in wavelab a while ago, when my skills were still quite shaky. I didnt send it out to promoters, just to a couple of friends. I don't feel like i've cheated myself because i feel i've made a good CD that flows really well and got the feeling that buying decks and everything was not a waste of money as i've cretated something good even if it wasn't totally live. It was also a very good learning excersise.
I do draw the line at doing this and sending it out to promoters as its not what I can do! However I still struggling to make a perfect full demo cd, but when i do i knowit'll be worth it. :) |
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| jdat |
Stop lying to yourselves; Just do it whatever way you prefer.
Some people say " It's cheating " if you do it digitally;
But playing the same set 20 times till you get it right how is that not the exact same thing ( cheating )? |
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| IntegraR0064 |
| quote: | Originally posted by jdat
Stop lying to yourselves; Just do it whatever way you prefer.
Some people say " It's cheating " if you do it digitally;
But playing the same set 20 times till you get it right how is that not the exact same thing ( cheating )? |
Yes, both ways are massively cheating. But doing it 20 times is at least not AS bad.....at least you could do that after 20 tries. And even so...just because doing it 20 times is cheating doesn't mean cheating is ok.
They're expecting some of your best work.....so if you can't quite consistently match what you send that's not a big deal, but you better be able to get really damn close consistently or it's not a demo.
If you want to make a cd by using a computer or rehearsing it, that's fine, but just make sure whoever listens to it KNOWS how you made it...don't pretend you did it live on your first try if you didn't. |
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