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George Hales feat. James Cosgrove-A Distant Future(original mix)
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View this Thread in Original format
| jcosgrove |
The original of this track has just been completed, just wondering what everyone thinks of it?
Most have you probably already heard the Michael Feihstel remix, we are looking for labels now.
:D
Format : mp3@96kbps
Length : 8:10
download here |
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| Massive84 |
well i love Geo's basslines and basssounds..here it sounds mint, and the acid even more mint..
but am going to be fair here..
the production is so simple..no pads, nothing catchy that i hear in the intro..
the transition sounds bad from intro to climax..
kinda expected something better tbh :/ |
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| jcosgrove |
cheers for the feedback...but i think the track has the desired effect of what we wanted...
any more from anyone? |
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| qrogression |
hey pal,
I love how it turned out, got some wide effects in there that spice it up now. The main tune works well, and so does the 2nd tune behind it. I would like to see the first buildup to the climax go a bit different though, cause now you give most of it away before the climax hits. The second break where you 'filtered out' the main tune is what i like alot, and feel that it needs more attention.
I like the overall track, it has a good vibe. Perhaps needs some more exciting points here and there, but not bad at all.
the sound of progression |
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| Endre |
The low quality affects how it sounds so it should be taken with a pinch of salt. But, i do agree with Massive, the track does sound very simple at some spots. The melody sounds like everything else out there. It probably sounds great in good quality but judging from this sample i aint too impressed. I loved Hales's "Autumn Falls" so i expected something better from you guys. Enough with the negative part, the acid sound is very creative in my words, when the beat stops it seems off-beat but it really isn't, i like that. The bassline is fairly massive and the lead is yet new in this buisness, have just heard that stuff in one of Envio's track once.
I hope you find a label for it, i really do, i wish you all the best :) And a last piece of advice, im sure you already know it: Don't be hasty when you produce music, music is like women, they are to be taken lightly.
best regards
/Alex
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| revelx |
Cheers for the feedback so far guys, has really helped get an idea of which direction this should have went in.
I will leave a little note about this track though: As im currently making alot of uplifting tracks personally, i really wanted to make something abit more dark and twisting, i use pads (too much) in all my other productions, so i thought that it might help keep the track alive if there wasn't any in this production.
Geo |
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| qrogression |
always keep trying new stuff/new ways to get where you want to go.
not all productions will be equally good, but you will grow as a producer from it. |
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| DylanSwe |
eventhough itīs low quality I still think the track fells full/fat, so I can imagine that in high quality this sounds really great.
I dont really feel that lack of pads/strings affects this track negatively. But since I cant hear it with pads I cant be sure, but as it is right now it works.
The main melody didnt do it for me, that chopping/stabbing sound is tiresome. I waited and waited for some lift, some change in the melody but it never came. The melody has potential but it doesnt feel complete.
Production and arrangment is top notch in my opinion.
take care, |
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| Sean Walsh |
| I sorta agree with Endre and Massive on this one. You can definitely have a pad or two in there without making it uplifting sounding, but I think the biggest thing this is lacking is percussion. The quality obviously has some effect on this, but I think this track would work really well as-is with the addition of some harder more techno'ish percs. I like the melody personally, but as a few others have said, this track could still use a little more to it. |
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