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Thrillseekers Pad Sound
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| phreneticangel |
Do anyone have any suggestions on how to create the pad sound used by the thrillseekers in:
Ferry Corsten feat.Thrillseekers - Sublime
8 Wonders - The Morning After (The Thrillseekers Remix) |
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| NicklessGuy |
It seems like overdrive is what makes it sound like that...
Try overdriving some normal pads. |
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| Perry |
seems its s
ome kind of a guitar with soft attack:whip: |
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| Mr.Mystery |
| quote: | Originally posted by Perry
seems its s
ome kind of a guitar with soft attack:whip: |
No way. I'm not sure how my sample sounds since I made it quite lofi but it certainly isn't a guitar. |
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| NicklessGuy |
I just gave it a try here and could get it. Its really an overdrived pad. Not a pure supersaw pad, but a square one.
Get a square pad goin, EQ it to cut out the lower and very higher freqs, pu on reverb/delay and the usual pad stuff, then make a heavy overdrive on the final signal, but muffle it slightly so it dun sounds too harsh/agressive (or u could EQ after the overdrive, to reduce the sibilance), and u hav your sound :)
I did it with Pro-53 and the normal fruity plugins, except for overdrive (used Mda Overdrive) |
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| thecYrus |
| quote: | Originally posted by NicklessGuy
I just gave it a try here and could get it. Its really an overdrived pad. Not a pure supersaw pad, but a square one.
Get a square pad goin, EQ it to cut out the lower and very higher freqs, pu on reverb/delay and the usual pad stuff, then make a heavy overdrive on the final signal, but muffle it slightly so it dun sounds too harsh/agressive (or u could EQ after the overdrive, to reduce the sibilance), and u hav your sound :)
I did it with Pro-53 and the normal fruity plugins, except for overdrive (used Mda Overdrive) |
can you post a sample? |
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| NicklessGuy |
I could, but i dun hav a place to host it...
But like i said, its simple. Just get a normal supersaw pad patch on Pro-53, change it to square form (maybe a synced wav/sqr for a tweak), turn the unison/analog a bit down, make the usual stuff (reverb, EQ and such), and overdrive it.
Only thing i forgot, is that u might need a filter after the overdrive effect. So open the Pro-53 cuttof and use this other filter instead, otherwise, the overdrive will act after the in-built pro-53 filter and make some sibilance even if u close it.
This will give u the same color of that sound. Then its just a matter of fine tuning to mix it down. |
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| State of Matter |
http://www.angelfire.com/electronic...rillseekers.mp3
This is as close as I cared to get it. About 20 minutes of work. Pulse + Saw, filtered at about 50% cutoff. Filter envelopes had a long gradual attack, zero sustain, and a long decay and release. Amplifier envelopes had a short but smooth attack, long decay, zero sustain, long release. Frequency and Pulsewidth modulation were controlled by the LFO with a very high frequency. Finally, reverb, stereo separation, distortion, and overdrive were used to give it some added grit. |
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| Phantax |
| quote: | Originally posted by State of Matter
http://www.angelfire.com/electronic...rillseekers.mp3
This is as close as I cared to get it. About 20 minutes of work. Pulse + Saw, filtered at about 50% cutoff. Filter envelopes had a long gradual attack, zero sustain, and a long decay and release. Amplifier envelopes had a short but smooth attack, long decay, zero sustain, long release. Frequency and Pulsewidth modulation were controlled by the LFO with a very high frequency. Finally, reverb, stereo separation, distortion, and overdrive were used to give it some added grit. |
you did a nice job on that |
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| Luke Terry |
overdrive + res is the easy way, piss easy to do on a jp or vaz
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