|
A certain Sound...
|
View this Thread in Original format
| Kris Xperiment |
Any one have any idea how to create a similar pluck sound used in George Hale's "Himilaya"?
Thanks. |
|
|
| Kris Xperiment |
| Shameless Bump. |
|
|
| Lindo |
| Superwave Pro does a great job at creating those types of sounds. Most synths can create those nice plucks just make sure you have a fast attack, moderate decay, moderate sustain, and pretty much no release. Use a saw or square waveform and add effects. |
|
|
| mzvirbulis |
maybe add some slight delay to fatten it up.
alot has to do with the filter frequency, so play with that. |
|
|
| Four_On_Four-er |
| I think there was a liberal wash of resonance on that pluck... YOu may want to experiment with the reso knob in meager amounts. |
|
|
| cybernetica |
| Pretty much the essentials have been said. I'd use multiple sawtooths with some detuning on each. Then use a lowpass filter with higher resonance. The notes are short, so use zero attack and small decay, no release. A good idea would be to modulate the filter with a filter envelope with really short decay, at least shorter than the decay on the amplitude envelope. The idea is to let the filter start more open and then close very fast, this will get you some kind of plucked sound. |
|
|
| Sean Walsh |
What ^^^ said.
This is pretty much your most basic possible saw pluck sound. Should be recreatable in basically any popular VST. |
|
|
| nhibberd |
Sound like this guy used double delay(1/4d + 1/8d), Chorus, 2 filters(1 autowah, 1 automated low-pass) [in that order] and just any softsynth with a short filter decay. And a 7th chord.
kind regards,
CD |
|
|
| Kris Xperiment |
| thanks every one :) |
|
|
| thoughtlessjex |
| quote: | Originally posted by cybernetica
...no release. A good idea would be to modulate the filter with a filter envelope with really short decay, at least shorter than the decay on the amplitude envelope. |
I disagree. Mostly on the grounds that this can creat clicking with some synths. Whenever I create plucks like this one, I make the filter envelope release a small bit longer than the amp release, so that the click occurs when the amplitude is at zero. If your synth has a de-clicker, though, this is unnecessary. |
|
|
|
|
