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best speech in a movie? (pg. 2)
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Emil
Also like the one from Out of Sight, with George Clooney and Jennifer Lopez:

It's like seeing someone for the first time, you could be passing on the street, and you look at each other and for a few seconds there's a kind of recognition, like you both know something. The next moment the person is gone, and its to late to do anything bout it. You always remember it because it was there and you let it go. You think to yourself what if I stopped and said something. What if….What if…
sensorium
Dude, Where's My Car?
Audious
Beavis and Butthead Do America

Beavis: Dammit! This always happens! I think I'm gonna score, and then I never score! It's not fair! We traveled um, a mil-... a hundred miles, just because we thought we were gonna score! But now it's not gonna happen! Dammit!
Bus Driver: Hey, buddy! Sit down!
Beavis: Shut up, ass-wipe! I'm sick and tured of this! We're never gonna score! We're probably gonna get old like these people, but they've probably scored!
Bus Driver: Hey! I'm warning you! Sit down!
Beavis: [motioning to Martha] It's like this chick's a slut... and look at this guy! He's old, but he's probably scored a million times...!
Old Guy: [nodding] Oh, yeah.
Beavis: But not us! We're never gonna score! We're never gonna score! We're never gonna score!
Spirit5
Almost any Robin Williams movie has a speech he makes, whether it's to his family, people at his job, or to some kids or whoever. His movies get pretty predictable with this where he makes some big speech like in RV, Patch Adams, Jack, Ms Doubtfire, Good Will Hunting, Dead Poets Society, a few others...
trunks1022
jack nicholson / colonel jessup

in a few good men
yujie__
derek zoolander in zoolander movie

Derek Zoolander: What is this? A center for ants? How can we be expected to teach children to learn how to read if they can't even fit inside the building?
Mugatu: Derek, it's just a small--
Derek Zoolander: I don't wanna hear your excuses! The center has to be at least... 3 times bigger than this!
Protege
Jimmy Dugan: Evelyn, could you come here for a second? Which team do you play for?

Evelyn Gardner: Well, I'm a Peach.

Jimmy Dugan: Well I was just wonderin' why you would throw home when we got a two-run lead. You let the tying run get on second base and we lost the lead because of you. Start using your head. That's the lump that's three feet above your ass.
[Evelyn starts to cry]

Jimmy Dugan: Are you crying? Are you crying? ARE YOU CRYING? There's no crying, there's no crying in baseball. Rogers Hornsby was my manager, and he called me a talking pile of pig. And that was when my parents drove all the way down from Michigan to see me play the game. And did I cry? NO. NO. And do you know why?

Evelyn Gardner: No, no, no.

Jimmy Dugan: Because there's no crying in baseball.
Slylee
quote:
Originally posted by yujie__
derek zoolander in zoolander movie

Derek Zoolander: What is this? A center for ants? How can we be expected to teach children to learn how to read if they can't even fit inside the building?
Mugatu: Derek, it's just a small--
Derek Zoolander: I don't wanna hear your excuses! The center has to be at least... 3 times bigger than this!


:stongue: :stongue:
d-miurge
the speech of Sergent Hartman in Full Metal Jacket.

http://www.youtube.com/watch?v=HhaqCT-h1i0
placebo
Battlefield Earth:

Terl: Ker, I'd like you to meet Chirk.
[Ker grunts appreciatively]
Terl: She's, um... she's, um...
Chirk: His soon-to-be newly acquired secretary.
Terl: Yes.
Ker: [eagerly] Really?
Terl: [quietly, to Ker] She's stupid enough not to be a menace, good-looking enough to be decorative; she gets drunk with economical speed ...
Terl: [normal voice] - and has other advantages.
[Chirk extends her very long tongue]
Ker: Ooh. I can see that.

Danny Ocean
American Psycho

Patrick Bateman: Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Christy, get down on your knees so Sabrina can see your . Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.
yujie__
more zoolander
* Rufus, Brint, and Meekus were like brothers to me. And when I say brother, I don't mean, like, an actual brother, but I mean it like the way black people use it. Which is more meaningful, I think.

* If there is anything that this horrible tragedy can teach us, it's that a male model's life is a precious, precious commodity. Just because we have chiseled abs and stunning features, it doesn't mean that we too can't not die in a freak gasoline fight accident.
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