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Home Studio Monitors..?
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| cocaine white |
Hey, so I've been looking at monitors for home studio use, as I don't have the funds to step it up to some phat BM5a's or hr824's or anything or to lay a bunch of foam everywhere.
Basically, there's really mixed opinions on this style of monitors (the 500ish range), and I had some questions:
-Some people love the Rokits, others think they're total crap? Care to clarify?
-Avoid the Behringer Truths?
-I've heard good things about the Genelec 8020As, is that right?
-Really mixed opinions on the Alesis, any further clarification there?
I'm planning to stop by Guitar Center sometime soon to reference them myself, so any particular tunes you'd recommmend also?
I know this question's been beaten to death as is, but I'd really appreciate any advice.
thanks a lot!
<3 |
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| TwistedDUO |
Sadly enough, I've been using my Logitech 2.1 computer speaker system for a long time. These things are tanks. The two stereo speakers have been pumping decent and clear for nearly 5 years. The subwoofer has a bass adjustment that allows me to control how much bass is pumping though.
I've looked into getting "studio monitors" but they truly don't sound any better (or worse) than what I have now. I know it's cheesy but I don't see the sense in buying an expensive pair of monitors when these do the job just fine. |
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| Tom Colontonio |
| quote: | Originally posted by cocaine white
Hey, so I've been looking at monitors for home studio use, as I don't have the funds to step it up to some phat BM5a's or hr824's or anything or to lay a bunch of foam everywhere.
Basically, there's really mixed opinions on this style of monitors (the 500ish range), and I had some questions:
-Some people love the Rokits, others think they're total crap? Care to clarify?
-Avoid the Behringer Truths?
-I've heard good things about the Genelec 8020As, is that right?
-Really mixed opinions on the Alesis, any further clarification there?
I'm planning to stop by Guitar Center sometime soon to reference them myself, so any particular tunes you'd recommmend also?
I know this question's been beaten to death as is, but I'd really appreciate any advice.
thanks a lot!
<3 |
Rokits are ok..not grat IMO. Genelecs are the bomb if you can afford them. I use Mackie HR824's and they are great. They have an all around transparent sound and if adjusted properly to your surroundings they rock. |
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| cocaine white |
Yeah, I know the higher-end Genelecs are worth the buy, but it'd be total overkill, especially considering I can't afford acoustically treating my room right now. I specifically asked about the Genelec 8020A's because they're smaller sized, meant for smaller rooms and have more room for error.
And btw, you're probably right, after all, the NS10s were intended to be home hi-fi speakers, but I'd rather not take my chances and get something I know'll give me a flat, true reponse ;) |
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| Sean Walsh |
| I'm a big fan of the M-audio BX8As. Quite affordable, excellent sound. |
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| Allied Nations |
You totally missed out on the best budget monitors around...
Event!!
Alp5, Tr-6 and Tr-8 all INSANE.
Nice flat sound. My picks of the budgets and I've heard em all. |
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| echosystm |
Events pretty much win in the budget range. They don't have wicked bass extension, but they do have clarity and will give you a truer sound than any other monitor in the same range.
KRKs budget line (RP*) are not good at all; people just buy them because they're readily available and well marketed. They have a deeper and dirtier bass extension to trick noobs into buying them. Honestly, look at the experience level of people who buy RP*s, and then compare that to those that buy other brands; it speaks for itself. Thats not to say KRK is a bad brand though, the V* series are the next step up and are fantastic monitors.
Alesis you need to hear for yourself. If you A/B them with a decent monitor (BM5A equivalent), you'd have to be partially deaf not to notice how bad they are. Hint: listen to the bass :p
"Avoid the Behringer Truths?" - They're cheap, you get what you pay for. An 8" unit for $400AUD has to set of some kind of alarm bells when you consider that no other monitor company even attempts to do the same. That said, if youre DJing, and you just want something loud you can't get better than Behringers.
Genelec 8020s are very good, but they're not really for music production - more for TV/Film etc. They're rated to go down to 66hz, but my guess is realistically it would be around 80. Even if they did do 66hz, thats still not low enough for dance music. You would have to combine these with a sub, and the sub costs more than the speakers themselves. ALSO, then you have to worry about translation problems and stereo imaging CRAZINESS. Bass isnt "omni directional", despite the fact that people throw that notion around constantly. If you put a sub next to your right ear youre going to be off balance, it's pretty obvious. Considering that most people will be listening to your tunes on a normal 2 set of speakers, having a sub is just going to mess you up. Hence why not many producers use them - maybe foot pedal activated just for tweaking basses etc.
Avoid Samson Rubicons. They use a cheap ribbon tweeter which really gives the units a distinct sound. It's not necessarily a bad thing, but I can forsee it causing translation problems; most speakers do not have ribbons, let alone cheap ones.
Bottom line: I think you should get Events. TR6s are fantastic for the price. If not events, look into Fostex PM1 or Yamaha HS80M. But, beware, bigger is not better. If you dont have any accoustic treatment in your room, be careful buying anything bigger than 6".
:) |
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| RickyM |
| quote: | Originally posted by TwistedDUO
Sadly enough, I've been using my Logitech 2.1 computer speaker system for a long time. These things are tanks. The two stereo speakers have been pumping decent and clear for nearly 5 years. The subwoofer has a bass adjustment that allows me to control how much bass is pumping though.
I've looked into getting "studio monitors" but they truly don't sound any better (or worse) than what I have now. I know it's cheesy but I don't see the sense in buying an expensive pair of monitors when these do the job just fine. |
I guarantee you that if you got a decent set of studio monitors that you would notice a difference. |
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| cocaine white |
| quote: | Originally posted by echosystm
Events pretty much win in the budget range. They don't have wicked bass extension, but they do have clarity and will give you a truer sound than any other monitor in the same range.
KRKs budget line (RP*) are not good at all; people just buy them because they're readily available and well marketed. They have a deeper and dirtier bass extension to trick noobs into buying them. Honestly, look at the experience level of people who buy RP*s, and then compare that to those that buy other brands; it speaks for itself. Thats not to say KRK is a bad brand though, the V* series are the next step up and are fantastic monitors.
Alesis you need to hear for yourself. If you A/B them with a decent monitor (BM5A equivalent), you'd have to be partially deaf not to notice how bad they are. Hint: listen to the bass :p
"Avoid the Behringer Truths?" - They're cheap, you get what you pay for. An 8" unit for $400AUD has to set of some kind of alarm bells when you consider that no other monitor company even attempts to do the same. That said, if youre DJing, and you just want something loud you can't get better than Behringers.
Genelec 8020s are very good, but they're not really for music production - more for TV/Film etc. They're rated to go down to 66hz, but my guess is realistically it would be around 80. Even if they did do 66hz, thats still not low enough for dance music. You would have to combine these with a sub, and the sub costs more than the speakers themselves. ALSO, then you have to worry about translation problems and stereo imaging CRAZINESS. Bass isnt "omni directional", despite the fact that people throw that notion around constantly. If you put a sub next to your right ear youre going to be off balance, it's pretty obvious. Considering that most people will be listening to your tunes on a normal 2 set of speakers, having a sub is just going to mess you up. Hence why not many producers use them - maybe foot pedal activated just for tweaking basses etc.
Avoid Samson Rubicons. They use a cheap ribbon tweeter which really gives the units a distinct sound. It's not necessarily a bad thing, but I can forsee it causing translation problems; most speakers do not have ribbons, let alone cheap ones.
Bottom line: I think you should get Events. TR6s are fantastic for the price. If not events, look into Fostex PM1 or Yamaha HS80M. But, beware, bigger is not better. If you dont have any accoustic treatment in your room, be careful buying anything bigger than 6".
:) |
Wow, thanks a bunch man, very informative :)
I guess I overlooked the events... I'll be sure to go for the TR6 then.
Thanks for all the response everyone. |
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| tvmann |
| Would it also be a good idea to get a studio subwoofer, if you are producing club or other music that would normally be played on systems that have a sub? |
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| rulzz |
| quote: | Originally posted by tvmann
Would it also be a good idea to get a studio subwoofer, if you are producing club or other music that would normally be played on systems that have a sub? |
its a great idea
in fact i know many people bash krk rokits for this and that while they are not the best on their own a RP-10 sub rounds up the sound and actually becomes quite a powerful combo and easily beats anything in its price range
my opinion though is like with anything; try before you buy. :disbelief
listen to those tracks (or snippets of them) on every speaker multiple times till you start noticing differences between them and generally don't listen to whatever salesman has to say before you listen to your music on them
anyway to reply to original post though
i have rokits (rp8s with rp10 sub) so i'm definitely biased
They do have their shortcomings such as slightly muddy mids and highs a bit but this is in comparison to my buddy's Dynaudios but the sub is making a whole word of difference when tweaking low end. Even on Dynaudios while they do go very low for their size its still nothing like warm accurate boom coming out of a sub and this way my mixes translate way better on other systems with a much more accurate representation of everything on low end (mixes from dynaudio come out much cleaner but low end does suffer IMO)
i heard genelecs (really hard on ears IMO), alesis (wayyyyy too boomy), events only heard once while being way too mashed to recall anything but i think i thought they were slightly low end shy and really weird mids
i love my rokit combo and the only combo i would upgrade to at any time these days would be a pair of dynaudios with a matching sub but that's way out of my price range for now :toothless :toothless
i researched quite a bit on monitors before i made my choice (good it must've taken me 3 or 4 weeks) and after looking at everything at this price range i still got rokits |
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| echosystm |
| quote: | Originally posted by tvmann
Would it also be a good idea to get a studio subwoofer, if you are producing club or other music that would normally be played on systems that have a sub? |
If you read the post above you'll see why a sub is a bad idea in 99% of cases.
Firstly, when you add a sub to an untreated room you will be doing more harm than good. This isn't debateable. More bass will equal more standing waves. More standing waves will equal terrible mixing. This is why most people who know what theyre talking about wont even think about getting a sub. Even 8" monitors in an untreated room is pushing it alot of the time.
Secondly, where does the sub cut out AND where do your speakers cut out? What do you think happens when your sub cuts out at 100hz but your monitors at 45hz? Also, if your sub cuts out too high your stereo image will be f*cked. If you dont position your sub perfectly, your stereo field will be off balance.
Thirdly, most decent monitors should extend down to 50hz or so. They wont ACTUALLY go that low in terms of useability, but neither will many other speakers. The 20hz area isn't really "heard" that much by most people anyway, its too low.
Fourthly, club music normally listened to on a sub? Most "club" music would be listened to on a Hifi or iPod lol. Also, I dont think clubs really utilise subs that much, i've only seen massive PAs. I may well be wrong on this, but it seems logical that clubs cut bass and highs to preserve listeners hearing... hence a sub would be pointless?
Lastly, go find an EDM producer that uses a sub... You'll have trouble. The only time I have heard a pro using a sub was with a foot pedal to turn it on and off.
No sub will compensate for the poor design of the RP series :P
Adding a sub to an RP8 sounds ridiculous too.
If you chose to ignore what i've said anyway and want a sub, get the Blue Sky Media Desk 2.1 system. The sub is basically part of the crossover (sub cut at 100, sats at 100 = good), rather than just a tacky add on. |
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