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Shlomi Aber - State Of No One (Renaissance) Out Now
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| Lamski |
Shlomi Aber - State Of No One
The eagerly anticipated debut album... featuring Moods Feat. Lemon, Sea Of Sand, plus ten exclusive cuts of contemporary electronica
CD out now at all good record emporiums
Download avail via all good digital stores including iTunes, DJdownload & Beatport
Listen to clips of all tracks & order at renaissance.com
"... without doubt one of the biggest and best producers of 2007... a real treat and great to listen to." mate
"... the kind of sensitive, downbeat electronica that evokes Autechre and Boards Of Canada." DJmag
"... subtle electro with a swish and a swagger." One Week To Live |
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| woscar99 |
Great! been awaiting this ;)
Eastern Breeze
Random Fiction
Sea of Sand
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| Lamski |
| Beautiful, beautiful music indeed folks. Hope Shlomi starts to get the credit as an all round producer. |
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| paulandrews |
Now this was boring.
The first track rips-off those soft bassy pads of Trentemoller's 'Moan' (album version) and since I've heard this, I couldn't get the word 'generic' out of my head for the rest of the listen.
The production is crisp clean, the melodies are usually not bad but it lacks 'something'. Apart from the last year's excellent 'Sea Of Sand', it's got no soul.
He even tries to reproduce that famous Burial sound (or maybe just UK Garage) in 'The Paradise Garage', which was quite a surprise for me. But again, formally he gets almost everything right; he uses that signal noises of a pirate radio, there are some subtle breaks but the most important thing - substance - is missing. You just can't imagine those dark abandoned warehouses when you hear this. In fact, there is nothing that would provoke your imagination.
Expected more from this. In a week I probably won't even know I've ever listened to it. |
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| Tenshi |
| quote: | Originally posted by paulandrews
Now this was boring.
The first track rips-off those soft bassy pads of Trentemoller's 'Moan' (album version) and since I've heard this, I couldn't get the word 'generic' out of my head for the rest of the listen.
The production is crisp clean, the melodies are usually not bad but it lacks 'something'. Apart from the last year's excellent 'Sea Of Sand', it's got no soul.
He even tries to reproduce that famous Burial sound (or maybe just UK Garage) in 'The Paradise Garage', which was quite a surprise for me. But again, formally he gets almost everything right; he uses that signal noises of a pirate radio, there are some subtle breaks but the most important thing - substance - is missing. You just can't imagine those dark abandoned warehouses when you hear this. In fact, there is nothing that would provoke your imagination.
Expected more from this. In a week I probably won't even know I've ever listened to it. |
couldn't agree more!
sea of sand is my fav. tune on this album and i really don't like it a lot! |
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