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Christian Smith & John Selway - Total Departure (pg. 2)
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| Max Thomson |
| I just don't get this track. |
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| GUBostonDubs |
| It's a very cool track, just way overplayed by now. Digweed/Howells/Burridge/Lawler/Fanciulli beat this up before it even was out on beatport. |
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| GUBostonDubs |
| quote: | Originally posted by Max Thomson
I just don't get this track. |
yet you play something that's the same exact concept in Daniele Papini - Church of Nonsense ;) |
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| Subtle |
| This track would be awesome, if it wasnt for those damn lifting noises all over it. |
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| Ted Promo |
| quote: | Originally posted by Subtle
This track would be awesome, if it wasnt for those damn lifting noises all over it. |
That's an integral part of the track.
I always thought the track was meh. It works. |
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| iammesol |
| quote: | Originally posted by Subtle
This track would be awesome, if it wasnt for those damn lifting noises all over it. |
Are you serious? :stongue: |
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| Subtle |
| quote: | Originally posted by iammesol
Are you serious? :stongue: |
Yes, i find them annoying. Ruins the great groove of the track. |
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| nchs09 |
| quote: | Originally posted by Subtle
Yes, i find them annoying. Ruins the great groove of the track. |
the entire track is lifting noises lol. |
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| palm |
| i think thats what the track is all about realy, the never ending tension, without a release. its extremely important to run a track with a huge takeoff after this one IMO. like BOOOM |
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| noikeee |
| I don't like it. It's a dancefloor tune, sure, but has no groove. |
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| Ted Promo |
| quote: | Originally posted by iammesol
Are you serious? :stongue: |
I'd replace the lifting sounds with accordions. |
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