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Thomas Penton or Vengeance (pg. 2)
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| pwnage1 |
| quote: | Originally posted by dannib
The penton stuff is better than vengeance but it seems he's limited or digitally clipped nearly every sample. i would prefer the samples dry. leaving any limiting to either myself or a mastering engineer.
On another note i have just been listening through a couple of my vengeance cds. Has anybody noticed just how much of the material is ripped straight from commercial tracks? I think this is very wrong and dishonest. I mean its one thing chopping up some beats and layering them over your own sounds but ripping complete loops exactly as they are on commercial tracks and selling them as a "vengeance" sample cd? thats a different matter and i guess highly illegal as well. |
No your wrong. |
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| dannib |
What do you mean i'm wrong. What makes you think that? I can prove it if you really want me to? I can even prove that some of the sounds are lifted straight from old ueberschall cds as i have the original discs from years ago. |
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| pwnage1 |
| quote: | Originally posted by dannib
What do you mean i'm wrong. What makes you think that? I can prove it if you really want me to? I can even prove that some of the sounds are lifted straight from old ueberschall cds as i have the original discs from years ago. |
Maybe, maybe not. I downloaded a euro dance refill online and i had the same exact sample in a sample pack from the thrillseekers website. Sample that are 2 seconds long it is way to hard to tell if they were stolen from one place or another. |
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| derail |
| quote: | Originally posted by dannib
What do you mean i'm wrong. What makes you think that? I can prove it if you really want me to? I can even prove that some of the sounds are lifted straight from old ueberschall cds as i have the original discs from years ago. |
Yes, I'd really like you to prove this. I've seen people in other forums state they had absolute, definitive proof that Vengeance loops/samples are ripped from commercial songs. I always ask for the proof, they say they'll upload it that day....and they never post anything in that thread again.
Once again, please provide the proof. I'm still waiting. |
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| dannib |
i am talking mainly of the loops.
Alot of the single hits are obviously sampled as well as you can hear reverbs abrubtly cutoff, noise, hi hats etc within some samples but as you say, its very hard to tell where these have come from as the samples are too short.
Many of the loops are sampled straight from commercial dance tracks though with no further processing. I just dont understand how they get away with it? It says in their licensing agreement that everything is royalty free! |
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| palm |
| i believe its the other way around. people have used manuell schleisss samples in there tracks seeming it where theres. like blank and jones and prodigy used the same sample and everybody bashes blank and jones for stealing prodigy but it was a common sample on some gear they both had. like the ing whoooop sound on early commercial hip hop (see will smith). Vengeance is true to the industry imo. not sure about this but as alot of music the last 5 years seems to be using the same samples (from vengeance) this seems to be the case. |
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| dannib |
@ derail. Wouldn't it be against the rules to post up proof here though? As i will have to include the vengeance loops as well as snippets of the original tracks their ripped. If you pm me, im sure i could sort something out :)
When you hear the rips i am sure you will be amazed though. I thought lots of people knew but were just turning a blind eye. |
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| dannib |
@ palm. Alot, if not most of the tracks im referring to were produced before the vengeance cds were released. Im more into house music these days so im mostly referring to the vengeance house collections. First of which wasn't released until the end of 2005.
So that covers that up |
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| palm |
| ok i only know club 1 which i think is around 2001-2, not sure tho. |
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| kitphillips |
| quote: | Originally posted by dannib
The penton stuff is better than vengeance but it seems he's limited or digitally clipped nearly every sample. i would prefer the samples dry. leaving any limiting to either myself or a mastering engineer.
On another note i have just been listening through a couple of my vengeance cds. Has anybody noticed just how much of the material is ripped straight from commercial tracks? I think this is very wrong and dishonest. I mean its one thing chopping up some beats and layering them over your own sounds but ripping complete loops exactly as they are on commercial tracks and selling them as a "vengeance" sample cd? thats a different matter and i guess highly illegal as well. |
Yes you're right.
One reason I try to avoid vengeance where I can is the fact that the samples are over effected and chopped up too much. Theres no reverb tails or anything! The vengeance people aren't stupid, so I guess that they have pulled these samples from SOMEWHERE rather than building them themselves... I can't think of another reason why these artifacts would exist? I've also heard people say that they can hear vinyl crackle in some of them. Either way, I think the vengeance samples are cliched overused and too hard to use with the amount of effects...
Who knows, vengeance may have paid for the right to redistribute those samples, but I just hate the lack of flexibility.
On the other hand, I suspect the penton samples don't have the same variety, so not sure if thats a good option either. |
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| pwnage1 |
| I want to hear the examples that were in the ueberschall sample pack. For me that is the only real proof. |
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| Frankh |
wow, lot of discussion about a simple a/b thread. I am pleased with the Penton samples i got anyway and i agree they sound a little dryer than thevengeance. A lot of the vengeance stuff seems to be overly reverbd and distorted. That isnt always bad if you are looking for ready to use sounds thoigh.
Another question: What cds are good if i am looking for Vocal snippets to use in progressive? And what loopmasters or ueberschall cd's do you people recomend? |
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