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Tips for creating white noise sweeps and lfo sweeps (pg. 2)
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| Reno |
| quote: | Originally posted by djandymac
rob papens predator has white noise waveforms, so you could set all 3 lfo's to white noise and then use envelopes to create the sweeps |
Don't have predator but have Albino 3 so gave it a bash and yup, white noise with comb filter & envelope does the trick.
thanks for the help all. |
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| Ry Thomas |
| I use FL for this, 3xOSC, a phaser and the X-Y controller, great sweeps |
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| music2dance2 |
| Automate the filter sustain with hi decay, low A & R on malstrom to create "jet engine" noises. |
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| daeus |
Before I knew how to get this effect (I finally found the white noise patch) I found a recording of a drillhead spinning at 150RPM and passed it through many effects with the pitch automated to scale up - and it came out pretty nice!
I'll edit this post with a link to the sample when I find it, I think thats dedication to FX! |
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| curious j |
| NI's Massive has a dedicated white noise generator, which you can map to the envelopes for the sweeping FX (I think the Vanguard OSCs also have a noise option) |
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| Reno |
| quote: | Originally posted by DJ John M
one word
MOOG. |
...you sick cow!! :eyespop: |
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| Theran |
| quote: | Originally posted by DJ John M
one word
MOOG. |
Actually, that are three words ;)... |
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| Subtle |
| quote: | Originally posted by DJ John M
one word
MOOG. |
If the Moog has Noise that is :whip: |
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| david.michael |
+1 on FL and 3xOsc
So easy... |
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| DeZmA |
Thor is da , it's got all the noize generators you'll ever need. Try that instead of maelstrom.
Use the noize osc and change to the type you want, play with the distortion setting, choose the analog filter (maybe with some osc overdrive). Automate or route it to the filter env to get some action.
If you want a jet, just add another filter and use the filter (or modulate envelope if filter is taken) envelope with low attack to modulate the notch filter.
You can get pretty weird things using the superb comb filter @ high resonance and or formant filter.
Add some delay and you're set. |
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| Theran |
Or, record you microphone signal really loud into your DAW. Boost the signal with the amount of dB to get it to 0, play it out through your mixer and record it at the same time while you slide the fader up and softly turn treble, mid and bass to max...
Vintage style ;) |
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