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headphone production monitors
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ClearWater
Where does the HD280 stand? Is it flat frequency response or no? Seems like it isn't but people give them decent reviews on google. Any other recs for cans?
echosystm
quote:
Originally posted by ClearWater
Any other recs for cans?


Yes.

Search.
Lucidity
Akg 701 - My mixes are better than ever since I got these.
hundred
akg 240s
Storyteller
BS42 universe
palm
skullcandy
orTofønChiLd
lol
Storyteller
Well, the lifetime guarantee ain't bad :D
ClearWater
those akg k 240 mk ii's look pretty good! industry standards are always apetizing.

still curious to know if those senn' hd280's are truly meant for production monitoring? sleeve notes say they have a "warm" reproduction.
cryophonik
quote:
Originally posted by ClearWater
Where does the HD280 stand? Is it flat frequency response or no? Seems like it isn't but people give them decent reviews on google. Any other recs for cans?


The HD280 Pros are terrible for monitoring your mixes. They're a closed back design, so they're great for tracking (recording) due to the minimal spill/bleed into the microphone, but are very bad for mixing. For production work, you'll want something with an open or semi-open back design to get a more accurate sense of your mix, particularly in the lower frequencies. As suggested, use the search function - there are several threads discussing headphone recommendations.

flutlicht junky
quote:
Originally posted by Lucidity
Akg 701 - My mixes are better than ever since I got these.


I'm def getting a pair of these but do you need a separate headphone amp to drive them? I have an Echo Audiofire but the manual doesn't say the output in ohms.
echosystm
quote:
Originally posted by flutlicht junky
I'm def getting a pair of these but do you need a separate headphone amp to drive them? I have an Echo Audiofire but the manual doesn't say the output in ohms.


If you are getting 701s, you would want a separate amp regardless. Inbuilt headphone amps are never great quality and 701s would be worth the investment.
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