|
Mic Preamps Vs. Phantom Power
|
View this Thread in Original format
| Tarpex |
So, this one is bugging my mind for quite a while now.
I've been able to record pretty neat vocals on a t-bone mic "preamped" with phantom power from my E-MU 0404 usb.
As I've been doing more and more research, all seems to be based on a high quality preamp, and I'm really wondering if those 1.5k+ worth preamps are really worth their price.
Read somewhere that it's actually better to spend 1k on preamp and 200 on mic, then vise versa.
I got my eyes on a pretty neat mic (Shure SM7B), but I really wouldn't want to waste half of it's potential if a proper hw preamp is really teh sex.
What do you say? |
|
|
| No Left Turn |
| Generally speaking, a nice standalone pre-amp will sound "better" than one built into the soundcard. But that's not to say that if you're using an upper-tier soundcard, that the preamps sound bad. They can still have good preamps. If using a really nice standalone mic pre, you will want to accompany that with a nice soundcard as well. For example, you would be wasting $2000 if you were running an Avalon through a Behringer interface. And of course, you'll want to have at least a decent mic to be going through all that nice equipment. Half-assing it any stage won't really do you any good. |
|
|
| cryophonik |
| quote: | | Mic Preamps Vs. Phantom Power |
| quote: | Originally posted by Tarpex
...mic "preamped" with phantom power from my E-MU 0404 usb. |
Well, I think the first issue is that you don't seem to understand the difference between the preamp and phantom power. The preamp is what amplifies the low-level audio signal coming from the mic. Preamps can range from a simple input on a mixing board to a box that contains an EQ, compressor, expander, de-esser, etc. (often called channel strips). Phantom power is just a low-voltage power source for condenser mics and is a feature found on just about every preamp. So, it's NOT a matter of comparing preamps to phantom power or using phantom power to "preamp" your signal - they are two separate things with separate functions.
Now, with that in mind, I would guess that it definitely would not be worth your money to buy an expensive preamp at this time. Boutique mics and preamps are sort of like expensive wines - each one has its own particular flavor, scent, etc. that are not detectable to the occasional wine drinker, but the connoisseur can easily distinguish them.
So, assuming that you are just a hobbyist amateur learning recording in your home studio, you probably have no need for a $1500+ boutique preamp or $3K+ Neumann mic. What is most important is finding a mic/preamp combination that works well for your voice and is within your budget. Fortunately, you can find a ton of great mics and preamps nowadays for well under $500. Also, remember that your recording equipment is only half the story - you'll have plenty of opportunity to shape the sound after you get it recorded. |
|
|
| Tarpex |
Thank you for your explanation Cryophonik, was very welcome.
I've been in music production for quite a while now and making nice living off it, it's just been that a vocal track should now happen, and I've bought some amateur stuff just to get acquainted with the vocal recording techniques, which I'll need later.
So I reckon it is the first half of the story that's really important to me now, I got most of the producing tricks up my sleeve already, I'm just looking for a professional solution. I got a treated vocal booth set up, now it's just a matter of getting the right equipment, beacuse it's not an option for me to have sub-par sounding vocals in my mixes, and post-processing can't make wonders if the hw recording interfaces aren't good (as I've seen with some mid-low pricerange mics I've tried out).
I'll be buying the Shure mic I mentioned, just wondering now which preamp I should pair it up with. I don't need any particular flavor, I do however want crystal clear sounding recordings.
Thanks :) |
|
|
| kitphillips |
You'd be better off buying a decent audio interface with a workable mic preamp built in. M audio isn't going to cut it if you buy a 1k preamp.
Try an RME, I think they've got a new one coming out soon... |
|
|
| cryophonik |
| quote: | Originally posted by kitphillips
You'd be better off buying a decent audio interface with a workable mic preamp built in. M audio isn't going to cut it if you buy a 1k preamp.
|
Yeah, I definitely agree. The RMEs have excellent preamps. I use a MOTU 828mkII - the MOTUs have pretty decent preamps as well, although I prefer to run my own channel strip (JoeMeek OneQ) into the 828's digital input. Models from either company will come with phantom power. |
|
|
| dannib |
An idea would be to get a pre-amp with a built in.optional DA converter such as THIS
You then run a digital cnnection from this to your soundcard/interface. It will give you much better results than using any RME pre-amp.
Or you could buy a seperate DA converter such as a Benchmark DAC1 and buy a high-end pre such as a great river or similar.
This will be a more expensive option but will deliver exceptional results. |
|
|
| Tarpex |
Great, thanks for your input, really appreciated, I'll definitely check the Gain Station, reckon it'll be fine for EDM vocals.
Cheers :) |
|
|
| kitphillips |
I'm sort of getting the impression from you that you have a bit of money to spend. But you haven't told us what sort of sound you want or what sort of vocals your recording (male/female, how agressive, what range...)
So not knowing your full needs but assuming you're cashed up, I'd recommend:
Getting rid of the M audio and replacing it with an RME or Lynx
Getting a good mic, this is going to depend on what sort of vocals you're recording and is probably the most important factor. The way that the mic interacts with the preamp is also important. Have a look at the Audio technica 4047, AKG 421 series, shure KSM44. the shure you mentioned is more for spoken word AFAIK and usually gets applied to aggressive male vocals.
getting either an API lunchbox style rig with a nice Pre>>>EQ>>comp setup OR going for a nice Grace/millenia pre. No colouration and decent sound. This can wait if you can't afford it since the RME's amps are passable. But if you have the cash, then do it. Go to Gearslutz if you want more info about that... Theres about 100 threads on there already about mic pre's. |
|
|
| orTofønChiLd |
| wut about using a pre-amp from a dac to studio monitors? would that make it better? |
|
|
| Derivative |
Err no. You only need a preamp if you need loads of gain to drive a low output device (like a mic or a guitar pickup).
Most people including me really should spend more time getting really good at mixing. The gear doesn't really make a whole lot of difference, at least thats the opinion I came to after spending loads of money on stuff I don't need and barely ever use anymore.
My housemate has a Mesa Express 2x12 and that sounds pretty nice but its really subtle. I DI my guitar and use an ART Tube MP, a cheapy preamp with a 12ax7 in it. The Mesa is deffo cleaner on the clean channel and it overdrives better and it goes alot louder but honestly it doesn't really matter if:
1) you play like .
2) your guitar is out of tune and/or the intonation is off.
I'm happy with the ART MP. Its noisier but hell I like it and its got character. It sounds nice (in a terrible way) with a dud tube in it. If most folks were more honest to themselves the sound they are looking for is about 80% technique and 20% gear. You would be better off looking for a studio internship/working as a lacky for free after school/work. Then you can follow around a pro and suck the knowledge out of them like a leech. Plus you get to see whats in his mic locker and you might even get to play with an LA610 or an Avalon or something so you can see for yourself how much of a difference it makes.
I don't think I care about like that anymore. I'm more interested in following around people who are way better than me so I can steal their technique and soak up their mojo. |
|
|
| Tarpex |
| quote: | Originally posted by kitphillips
I'm sort of getting the impression from you that you have a bit of money to spend. But you haven't told us what sort of sound you want or what sort of vocals your recording (male/female, how agressive, what range...)
So not knowing your full needs but assuming you're cashed up, I'd recommend:
Getting rid of the M audio and replacing it with an RME or Lynx
Getting a good mic, this is going to depend on what sort of vocals you're recording and is probably the most important factor. The way that the mic interacts with the preamp is also important. |
I'm needing the gear for serious level of recording vocals for trancy & housey tracks, whereas some can be compressed to hell and back for effect (and could be done on the crappiest gear around), some will need certain timbre and clarity that crap gear can't provide. Now, my budget isn't unlimited, though I'm willing to go to quite a good length to get a good recording going, I'd say I'd spend about 4k euros for the recording system.
Note that I'm not using M-Audio, I'm on E-MU soundcard, which has a stage better converters, but I do realise it's not "it".
I'll be recording male & female vocals, tender and aggressive, gentle subtle pieces and near-rock singing, so there's gonna be some abuse eventually :) And I'd need my recording gear to shine at everything being thrown at it. |
|
|
|
|
