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Hyperpumping master?
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cristianokeller
What's the secret to make the whole thing pump so hard?
example: Dave 202 - Departure (youtube)
Maybe this is a key to compensate very well the loss of dynamics in these loudness apocalypse days..

What's the best way to do?

* Sidechain tracks hardly in the mix stage?
* It will be only done if the mastering was more dramatic compressor adjustments?
* It's better on a single band mastering compressor than in a multiband?
* Sidechain all the tacks together (not kick and vocals off course) grouped in a submix?

Any help will be much appreciated
Nightshift
OMG Thank you for posting this track i saw it being played in a video of Tiesto when he spun in Sacramento and i've been tryign to find out what it was ever since!
cristianokeller
:D
Nightshift
http://www.youtube.com/watch?v=5OsC5Ozcypc
Tarpex
It's done in the mixing stage, heavy ducking of heavy compressed tracks with kick as the trigger, banging master is made because the meters were practically flat in the mixdown stage already, so some mastering compression (a good master compressor, not multiband) and a limiter afterwards do the trick.
Mr.Mystery
quote:
Originally posted by cristianokeller

Maybe this is a key to compensate very well the loss of dynamics in these loudness apocalypse days..

Is it .
david.michael
quote:
Originally posted by Mr.Mystery
Is it .


+1

Talk about the complete opposite of a solution...
Fledz
What happened to his kick :conf:
dannib
Just sounds as though they submixed EVERYTHING to a group and sidechained that group to the kick drum. Plus it sounds completely overcompressed as if a master compressor was used to make it pump even more! Horrible mixing imo
david.michael
quote:
Originally posted by dannib
Just sounds as though they submixed EVERYTHING to a group and sidechained that group to the kick drum. Plus it sounds completely overcompressed as if a master compressor was used to make it pump even more! Horrible mixing imo


Yeah, what started as a tool turned into a trick (effect) which turned into the standard which became cliche.

I seem to think that kind of sound is finally on the way out.
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