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Tricks to writing "emotional" music
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| Kysora |
Emotional passages are a big part of my songs, or at least I try to make them that way, though I never really learned what exactly makes music sound expressive and emotional. I know harmony plays a big part in it, but for the most part I just toy around until I get something that I think sounds good.
Does anyone have any tricks to giving melodies or progressions an extra emotional/expressive impact? Are there even any?
One of the tricks I use a lot is arranging the main chord progression so the first two chords have at least one note in common, which I use as the bass note. When I want to give the progression more impact as the song progresses, I'll drop that common note to a lower note in the second chord, ideally the tonic. That usually gives that second chord a lot more power.
Using 7th chords properly also seems to give music a bit more expression but the same rule of "whatever sounds good" applies to that was well for me. |
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| MrJiveBoJingles |
| Big jumps or drops in a melody can create a lot of emotion if done right. Giving a melody a general "direction" (up or down) can also help convey emotion. |
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| Joss Weatherby |
Emotion to me is directly tied to the tension of the music. If you can add in stuff that increases tension that can add a lot to the emotional impact of the song.
Then again it depends on what sort of emotion you are vying for here...
Obviously lots of powerful minor chords and progressions, especially in a lower register with very thick instruments, like pads and strings will give you a darker more somber emotion. Quick arping minor or even major progressions in a higher register convey a more playful happy tone, at least to me. |
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| Joss Weatherby |
Also sustaining a lower note in a chord while playing the progression on top of it, and varying the held note. I love doing that.
Not sure how well that would work outside of ambient music though.. :p |
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| DigiNut |
Everybody's going to have a different emotional response to the same passage. But for the most part, "expressiveness" is a combination of:
1. Dynamics
2. Timing (i.e. rhythmic "inaccuracies", don't over-quantize)
3. Tonality. With a live instrument this would be tuning, vibrato, etc. In a synth it could be those, or other "moving" effects like filters, flangers, etc.
Really, expressive means that it doesn't sound robotic, and not robotic means not repetitive. You have to make subtle changes not just from one 4-bar "section" to the next, but really treat every individual note and rhythm. |
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| meriter |
| The trick to writing emotional music is to listen to emotional music. |
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| Subtle |
| Manual automations can be very effective, also good use of the modwheel. |
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| EgosXII |
| quote: | Originally posted by Joss Weatherby
Also sustaining a lower note in a chord while playing the progression on top of it, and varying the held note. I love doing that.
Not sure how well that would work outside of ambient music though.. :p |
works very well!
just needs to be done right :) |
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| Kismet7 |
And you have to have it within you to write emotional music. I don't know if a rule book will get you there. Bring out from within.
Or if you want to express an emotion based off an image you see, then i'd say you have to learn your craft and find a way to translate, perhaps again using your own emotions yet also using paint from the image. At this point you are a narrarator of emotion and imagery, which is often where I find myself. |
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