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Can any of you make a bass this good? Post up your sample! (pg. 2)
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| TranceLover007 |
| quote: | Originally posted by adi_hanson
Nor do people shout out ' What a in reverb!'at the club!:D |
:haha: Agree :haha: |
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| Anakratis |
| quote: | Originally posted by adi_hanson
I just would like to let you know that the track hardly sets my world on fire.
Bassline or no bassline.
I have never admired a track for its technological context.
Nor do people shout out ' What a in reverb!'at the club!:D
Im sort of saying make some good tunage and use the energy on something you can call your own. |
Heh imagine just a mob of critics trying to take you out for not EQing a track correctly...
:rolleyes: |
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| adi_hanson |
| quote: | Originally posted by Anakratis
Heh imagine just a mob of critics trying to take you out for not EQing a track correctly...
:rolleyes: |
You mean people do that!:D |
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| Richard Butler |
| quote: | Originally posted by adi_hanson
I just would like to let you know that the track hardly sets my world on fire.
Bassline or no bassline.
I have never admired a track for its technological context.
Nor do people shout out ' What a in reverb!'at the club!:D
Im sort of saying make some good tunage and use the energy on something you can call your own. |
For me the artistry of the 'tunage' is not separate from the artistry of the presentation, the sonic landscape. The whole is what makes a great dance track great much (not all) of the time, for me.
Take a track like 'music sounds better with you'. It's a nice enough hook n melody but not that blindingly different to a ton of other late 90s house tracks. Something in the sonic pallet gets people all gooey and wanting to move, something thats actually hard to put your finger on as the track is very repetetive and simple.
So I like to push the fabric on the melo and tunage side AND the sonic landscape.
Sure people dont say 'whoa, waht a revewrb' just as in a large church they dont necessarily realise that the natural verb and ambience really bring the choir to life, but none the less they DO respond to these nuances without knowing why.
My too penneth:rolleyes: |
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| Tomas Klein |
nice thread. actually kind of a coincidence because after mat zo's release of The Lost i've been hammering away in logic to try and get something that sounds like this:
http://www.youtube.com/watch?v=c5695fKfgvQ
beautiful =D |
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| DJ Robby Rox |
I'm not particularly impressed by any of these basslines.
I'd own half these basslines in FL in under 30mins, guaranteed =]
Seriously though, most of them are just a boring sub and kick. Zo's I find the most boring. I like raw driving basslines. Not those soft little wobbly off beat filtered down subs.
I want pumping saw pulses, distorted swells, and the whole 9. Not finding that in any of these tracks.
Just a bunch of off beat filtered down subs. I'm not really feeling the drive or punch in a lot of these tracks, gonna have to find some of my own examples... or maybe even make one who knows. |
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| TranceLover007 |
| quote: | Originally posted by DJ Robby Rox
I'm not particularly impressed by any of these basslines.
gonna have to find some of my own examples... or maybe even make one who knows. |
Robby please indulge us with your bass design expertise and let hear you best examples, so maybe, I should find myself a different hobby.
Cheers |
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| Beatflux |
| quote: | Originally posted by DJ Robby Rox
I'm not particularly impressed by any of these basslines.
I'd own half these basslines in FL in under 30mins, guaranteed =]
Seriously though, most of them are just a boring sub and kick. Zo's I find the most boring. I like raw driving basslines. Not those soft little wobbly off beat filtered down subs.
I want pumping saw pulses, distorted swells, and the whole 9. Not finding that in any of these tracks.
Just a bunch of off beat filtered down subs. I'm not really feeling the drive or punch in a lot of these tracks, gonna have to find some of my own examples... or maybe even make one who knows. |
I thought your last bassline you posted had a bunch of reverb on it? |
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| rufus the dog |
| Mat Zo is one of the most talented producers around at the moment, and (I think) is only 18. |
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| TranceLover007 |
| quote: | Originally posted by rufus the dog
Mat Zo is one of the most talented producers around at the moment, and (I think) is only 18. |
Yes, he is and he can create bloody deep and tight bass (check his MySpace site)
Cheers |
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| Richard Butler |
Actually I posted the wrong track in the OP, damn.
I mean't to post track 7 of disk 2 of the anjuna 7 compilation, a track by Deepblue. What a cocksplash I am!
I did listen to peoples samples here - mmm none really getting that pro sound yet (and I'm no better than any of you guys). |
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| evo8 |
| quote: | Originally posted by adi_hanson
I just would like to let you know that the track hardly sets my world on fire.
Bassline or no bassline.
I have never admired a track for its technological context.
Nor do people shout out ' What a in reverb!'at the club!:D
Im sort of saying make some good tunage and use the energy on something you can call your own. |
Maybe not, maybe because they dont know what to call what they hear "reverb" - not everyone in clubs know these terms - they might just say "wow that lead sounds really amazing" |
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