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What happens with Mau5? (pg. 2)
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| Rodri Santos |
he is now everywhere but i don't see how can people like this, i can understand that people like tracks like Move for Me is the kind of cheese material that works, i've listened it on local clubs some times.
But wonder if people would keep supporting him |
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| Dr Flow |
| quote: | Originally posted by Rodri Santos
i don't want to make another hateful deadmau5 topic, maybe i should have posted this on the production forum but right now what he does is simply awful, this tracks on the promotion forum would harvest insults and critics |
h8rs gonna h8 |
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| Victor Dinaire |
| Judging by the turnout to his shows, I think they like it a lot.. |
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| pozz |
| quote: | Originally posted by ponsshin
I didn't see ad boards featuring deadmau5 in the london underground two years ago. |
i saw them in toronto. he was marketed smaller-scale before. |
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| sako487 |
Hes a really talented producer, whether you guys like him or not
been producing for well over 10 years, I think he deserves to be where hes at |
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| Seandroid |
Jesus. Trance Addict hates ing EVERYTHING lol.
His tracks are not clipping. He's produced for ten years. Are you serious? He is like the pickiest producer on earth in terms of sound quality. Yeesh.
I for one love Joel's new tracks, the only track that's not up to speed IMO is Sofi Needs a Ladder, and it's still a damn good track, I just find it too similar to his old electro stuff with Meleefresh and it gives me horrible memories of those awful, awful tracks. Her voice is so annoying! Anyway, SOFI's voice doesn't make my ears bleed at least.
I just saw the other thread where everyone decided to hate Skrillex. I browse a lot of EDM forums and the trance community seems to be the least open minded of all of them, I like trance, electro house, techno, progressive house, tech house, dubstep... I like it all, but I think the closed mindedness of the trance community is why labels like Anjunabeats and Armada keep releasing the same damn track over and over again. People complain about it, but nobody seems to like anything original... Joel really did make a difference with Faxing Berlin, it was the first track to really get big that was a sort of trance/house hybrid. And what did the trance scene do? They released 600,000 "Faxing Berlins" with different titles and everyone seems to bitch about how Joel should go back to that. I think that's nuts.
Artists like Joel don't limit themselves, and they're the kinds of artists that push dance music forward, and I'm all for that.
Regardless, I think Joel is an amazing producer, and I for one intend on continuing to follow him as an artist, and I'm extremely excited for his next album. |
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| Kris G |
| quote: | Originally posted by Seandroid
Joel really did make a difference with Faxing Berlin, it was the first track to really get big that was a sort of trance/house hybrid. |
:haha: Seriously, you just typed that? |
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| Seandroid |
| quote: | Originally posted by Kris G
:haha: Seriously, you just typed that? |
I said to get big. Obviously he was not even close to the first person to do it. |
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| JEO |
| Yes, trance/house hybrid, sooooooo neat. |
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| Light The Fuse |
| quote: | Originally posted by Seandroid
I said to get big. Obviously he was not even close to the first person to do it. |
and you are still so very very wrong |
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| Seandroid |
| quote: | Originally posted by JEO
Yes, trance/house hybrid, sooooooo neat. |
| quote: | Originally posted by Light The Fuse
and you are still so very very wrong |
It doesn't matter if I'm wrong about that, the point is after he released Faxing Berlin every single damn track released sounded like it. |
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| JEO |
| What is it with you and open mindedness? I can remember you talking something about a gay community in Edmonton that is open minded. |
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