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Arno Cost is in the House at Haze Las Vegas
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produkt
On Friday September 16

Arno Cost

is in the House at Haze Las Vegas


For tickets visit: inthehouse.wantickets.com


Since his discovery in 2006, French DJ/Producer Arno Cost has quickly moulded his reputation as one of the scenes most promising young talents. With his musical sensibilities residing within the realms of electronica, disco and house, Arnos’ production and remix work has attracted praise from some of dance music’s most formidable figures, including Pete Tong, Tom Novy and Sebastian Ingrosso. Arno Cost’s talent stemmed from his parents keen interest in exposing him to music from an early age. Brought up on a diet of pop music, Italo-Disco and later, the innovations of the seminal ‘French Touch’ such as Daft Punk, Arno’s appreciation turned into creation as he took his hand to production in 1999.

Arno’s name was lavished with a great deal more attention in 2006 following the release of his first smash hit, the elegantly crafted ‘Magenta’ which he composed alongside Arias. Pete Tong and Tom Novy’s adoration of the track was no secret, and with an arresting rework from Dave Spoon, ‘Magenta’ became something of a DJs secret weapon the world over. It was in fact the most played tune at The Amsterdam Dance Event that year. Arno’s next Cr2 release was 2007’s ‘Apocalypse’ with Norman Doray. A heady concoction of sweeping composition and thumping house rhythms, the single was a favourite with Eric Prydz and Steve Angello and was given a tough rework by Sebastian Leger. With no doubt as to the potency of Arno’s partnership with production buddies Doray and de la Touche, the status as France’s answer to the Swedish House Mafia is one increasingly linked to the Parisian contingent. Arno has been called on to remix for Laidback Luke, David Guetta and Zoo Brazil’s ‘Kalle’ on Nero Records.

2011 has seen a new flurry of hot productions hit the waves for Arno Cost. First, he unleashed the dancefloor smash “The Days To Come” via Atlantic Records. Produced with fellow Parisian Arias, Arno delivered another club focused cut that displayed both his astute appreciation of melody and his innate ability to get the floor moving, drawing yet more plaudits from the likes of Pete Tong and David Guetta alike. “Lise” which immediately followed on Refune, merged dark, underground production techniques with a main room, floor-filling sensibility. A peak time hit, the track was once again supported by Guetta, Tong, Axwell and Sebastian Ingrosso amongst many others.

Arno is a man who is increasingly in demand and with the additional creative outlet of The Freshmakers at his disposal; his talents are now a source of acute excitement amongst DJs, producers and house music revellers alike.

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